LEADER 04825nam 2200973 a 450 001 9910779363203321 005 20200520144314.0 010 $a1-283-89016-X 010 $a0-8122-0170-1 024 7 $a10.9783/9780812201703 035 $a(CKB)2550000000707620 035 $a(OCoLC)843080228 035 $a(CaPaEBR)ebrary10641586 035 $a(SSID)ssj0000787148 035 $a(PQKBManifestationID)11486565 035 $a(PQKBTitleCode)TC0000787148 035 $a(PQKBWorkID)10812707 035 $a(PQKB)10524759 035 $a(MdBmJHUP)muse24386 035 $a(DE-B1597)449023 035 $a(OCoLC)1004870742 035 $a(OCoLC)1013947314 035 $a(OCoLC)1029819982 035 $a(OCoLC)1032684463 035 $a(OCoLC)1037982459 035 $a(OCoLC)1041993130 035 $a(OCoLC)1046614785 035 $a(OCoLC)1047014401 035 $a(OCoLC)1049629895 035 $a(OCoLC)1054880892 035 $a(DE-B1597)9780812201703 035 $a(Au-PeEL)EBL3441751 035 $a(CaPaEBR)ebr10641586 035 $a(CaONFJC)MIL420266 035 $a(MiAaPQ)EBC3441751 035 $a(EXLCZ)992550000000707620 100 $a20020117d2002 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe performance of self$b[electronic resource] $eritual, clothing, and identity during the Hundred Years War /$fSusan Crane 210 $aPhiladelphia $cUniversity of Pennsylvania Press$dc2002 215 $a1 online resource (284 p.) 225 1 $aThe Middle Ages series 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8122-1806-X 320 $aIncludes bibliographical references (p. [235]-262) and index. 327 $tFrontmatter --$tContents --$tIllustrations --$tA Note on Citations --$tIntroduction --$t1. Talking Garments --$t2. Maytime in Late Medieval Courts --$t3. Joan of Arc and Women's Cross-Dress --$t4. Chivalric Display and Incognito --$t5. Wild Doubles in Charivari and Interlude --$tConclusion --$tNotes --$tBibliography --$tIndex --$tAcknowledgments 330 $aMedieval courtiers defined themselves in ceremonies and rituals. Tournaments, Maying, interludes, charivaris, and masking invited the English and French nobility to assert their identities in gesture and costume as well as in speech. These events presumed that performance makes a self, in contrast to the modern belief that identity precedes social performance and, indeed, that performance falsifies the true, inner self. Susan Crane resists the longstanding convictions that medieval rituals were trivial affairs, and that personal identity remained unarticulated until a later period.Focusing on England and France during the Hundred Years War, Crane draws on wardrobe accounts, manuscript illuminations, chronicles, archaeological evidence, and literature to recover the material as well as the verbal constructions of identity. She seeks intersections between theories of practice and performance that explain how appearances and language connect when courtiers dress as wild men to interrupt a wedding feast, when knights choose crests and badges to supplement their coats of arms, and when Joan of Arc cross-dresses for the court of inquisition after her capture. 410 0$aMiddle Ages series. 606 $aHundred Years' War, 1339-1453$xSocial aspects$zGreat Britain 606 $aIdentity (Psychology)$zGreat Britain$xHistory$yTo 1500 606 $aHundred Years' War, 1339-1453$xSocial aspects$zFrance 606 $aCostume$zGreat Britain$xHistory$yMedieval, 500-1500 606 $aIdentity (Psychology)$zFrance$xHistory$yTo 1500 606 $aCostume$zFrance$xHistory$yMedieval, 500-1500 606 $aRitual$zGreat Britain$xHistory$yTo 1500 606 $aRitual$zFrance$xHistory$yTo 1500 607 $aGreat Britain$xSocial life and customs$y1066-1485 607 $aGreat Britain$xCourt and courtiers$xHistory$yTo 1500 607 $aFrance$xCourt and courtiers$xHistory$yTo 1500 607 $aFrance$xSocial life and customs$y1328-1600 610 $aCultural Studies. 610 $aLiterature. 610 $aMedieval and Renaissance Studies. 615 0$aHundred Years' War, 1339-1453$xSocial aspects 615 0$aIdentity (Psychology)$xHistory 615 0$aHundred Years' War, 1339-1453$xSocial aspects 615 0$aCostume$xHistory 615 0$aIdentity (Psychology)$xHistory 615 0$aCostume$xHistory 615 0$aRitual$xHistory 615 0$aRitual$xHistory 676 $a306/.0941 700 $aCrane$b Susan$01516223 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779363203321 996 $aThe performance of self$93848891 997 $aUNINA