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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aJelly Roll, Bix, and Hoagy$b[electronic resource] $eGennett Records and the rise of America's musical grassroots /$fRick Kennedy ; foreword by Ted Gioia
205   $aRev. and expanded ed.
210   $aBloomington ;$aIndianapolis $cIndiana University Press$d2013
215   $a1 online resource (304 p.)
300   $aDescription based upon print version of record.
311   $a0-253-00747-X 
320   $aIncludes bibliographical references, discography, and index.
327   $aA music dynasty in Victorian Indiana? -- A new wind is blowing through Chicago -- Jazz hysteria in the Hoosier state? -- Old-time music in the new electronic era -- When Gennett Records gets the blues -- Yet the music lives on -- Suggested listening : fifty classics by Gennett Records.
330   $aIn a piano factory tucked away in Richmond, Indiana, Gennett Records produced thousands of records featuring obscure musicians from hotel orchestras and backwoods fiddlers to the future icons of jazz, blues, country music, and rock 'n' roll. From 1916 to 1934, the company debuted such future stars as Louis Armstrong, King Oliver, Bix Beiderbecke, and Hoagy Carmichael, while also capturing classic performances by Jelly Roll Morton, Duke Ellington, Blind Lemon Jefferson, Charley Patton, Uncle Dave Macon, and Gene Autry. While Gennett Records was overshadowed by competitors such as Victor and 
606   $aSound recording industry$zUnited States
606   $aJazz$xHistory and criticism
615  0$aSound recording industry
615  0$aJazz$xHistory and criticism.
676   $a781.6409772/63
700   $aKennedy$b Rick$f1956-$01573222
701   $aGioia$b Ted$0600174
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910779359903321
996   $aJelly Roll, Bix, and Hoagy$93848859
997   $aUNINA