LEADER 01089nam2-2200349---450 001 990002868700203316 005 20220516103930.0 010 $a0-87661-521-3 035 $a000286870 035 $aUSA01000286870 035 $a(ALEPH)000286870USA01 035 $a000286870 100 $a20070214d1986----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $aa|||z|||001yy 200 1 $a21/1986: Excavations at Pylos in Elis$fJohn E. Coleman$gwith a contribution by Katherine Abramovitz 210 $aPrinceton$cThe American School of classical studies at Athens$d1986 215 $aXVI, 176 p., [63] p. di tav.$cill.$d28 cm 300 $aSupplemento n. 21 di Hesperia 461 1$1001000099925$12001$aHesperia. Supplements 606 0 $aScavi archeologici$yPilo 676 $a938.8 700 1$aCOLEMAN,$bJohn E.$066276 702 1$aABRAMOVITZ,$bKatherine 801 0$aIT$bsalbc$gISBD 912 $a990002868700203316 951 $aXI.3.B. 372$b195034 L.M.$cXI.3.$d00121175 959 $aBK 969 $aUMA 996 $a21$92838046 997 $aUNISA LEADER 04123nam 22006852 450 001 9910779341603321 005 20151005020621.0 010 $a1-139-88769-6 010 $a1-139-56474-9 010 $a1-139-55246-5 010 $a1-139-54995-2 010 $a1-139-55616-9 010 $a1-139-55491-3 010 $a1-139-17805-9 010 $a1-283-83611-4 010 $a1-139-55120-5 035 $a(CKB)2550000000708937 035 $a(EBL)989129 035 $a(OCoLC)818859095 035 $a(SSID)ssj0000725840 035 $a(PQKBManifestationID)11441179 035 $a(PQKBTitleCode)TC0000725840 035 $a(PQKBWorkID)10766470 035 $a(PQKB)10877482 035 $a(UkCbUP)CR9781139178051 035 $a(MiAaPQ)EBC989129 035 $a(Au-PeEL)EBL989129 035 $a(CaPaEBR)ebr10628054 035 $a(CaONFJC)MIL414861 035 $a(EXLCZ)992550000000708937 100 $a20111102d2012|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHarmony in Haydn and Mozart /$fDavid Damschroder$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2012. 215 $a1 online resource (xii, 298 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-41984-0 311 $a1-107-02534-6 320 $aIncludes bibliographical references (p. [284]-293) and indexes. 327 $aHarmonic practice in the late eighteenth century : twelve excerpts from string quartets by Haydn and Mozart -- Anatomy of the I-II?-V two-part exposition : twelve keyboard sonatas by Haydn -- Composition in a minor key : six arias in G minor from operas by Mozart -- The happy ending : three sonata-rondos in D major from piano concertos by Haydn and Mozart -- Haydn : Symphony no. 45 in F? minor ("Farewell"), movement 2 : in response to James Webster -- Haydn : String quartet in G minor (op. 20, no. 3), movement 3 : in response to Robert O. Gjerdingen -- Mozart : String quintet in C major (K. 515), movement 1 : in response to V. Kofi Agawu and Michael Spitzer -- Mozart : Don Giovanni (K. 527), Act 1, Scene 13 : Donna Anna's recitative and aria : in response to Carl Schachter -- Mozart : Symphony no. 40 in G minor (K. 550), movement 3, trio : in response to Leonard B. Meyer -- Haydn : Symphony no. 96 in D major ("Miracle"), movement 1 : in response to Warren Darcy, James Hepokoski, and Lauri Suurpa?a?. 330 $aIntegrating Schenkerian tools and an innovative approach to harmony, David Damschroder provides numerous penetrating analyses of works by Haydn and Mozart. A series of introductory chapters assist readers in developing their analytical capacity. Beginning with short excerpts from string quartets, the study proceeds by assessing the inner workings of twelve expositions from Haydn piano sonatas, six arias in G minor from Mozart operas, and three rondos in D major from piano concertos by Haydn and Mozart. In the Masterworks section that follows, Damschroder presents detailed analyses of six movements from symphonies, string quartets and opera by Haydn and Mozart, and compares his outcomes with those of other analysts, including Kofi Agawu, Robert O. Gjerdingen, James Hepokoski and Warren Darcy, Carl Schachter and James Webster. The book represents an important contribution to modern analytical discourse on a treasured body of music and an assessment of recent accomplishments within that realm. 517 3 $aHarmony in Haydn & Mozart 606 $aMusic$y18th century$xHistory and criticism 606 $aMusic$y18th century$xAnalysis, appreciation 606 $aHarmony 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xAnalysis, appreciation. 615 0$aHarmony. 676 $a780.92/2 700 $aDamschroder$b David$01499792 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910779341603321 996 $aHarmony in Haydn and Mozart$93726170 997 $aUNINA