LEADER 03319nam 2200565 a 450 001 9910779288003321 005 20230802005152.0 010 $a1-84150-671-0 035 $a(CKB)2550000000103228 035 $a(EBL)922471 035 $a(OCoLC)794328924 035 $a(SSID)ssj0000676884 035 $a(PQKBManifestationID)11437249 035 $a(PQKBTitleCode)TC0000676884 035 $a(PQKBWorkID)10685341 035 $a(PQKB)10859327 035 $a(MiAaPQ)EBC922471 035 $a(Au-PeEL)EBL922471 035 $a(CaPaEBR)ebr10565427 035 $a(CaONFJC)MIL884723 035 $a(EXLCZ)992550000000103228 100 $a20120612d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBrit wits$b[electronic resource] $ea history of British rock humor /$fby Iain Ellis 210 $aBristol [England] $cIntellect$d2012 215 $a1 online resource (216 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-565-X 320 $aIncludes bibliographical references. 327 $aFront Cover; Half Title; Title; Copyright; CONTENTS; INTRODUCTION: BRITISH, ROCK, HUMOR; MANIFESTATIONS ACROSS THE NATION; HOME IS WHERE THE HUMOR IS; COORDINATES AND DETERMINANTS; THE INS AND OUTS; 1. STARTING POINTS; Chapter 1: MUSIC HALL COMEDY; George Formby; Chapter 2: THE FIFTIES; AMERICAN DREAMING; Lonnie Donegan; Chapter 3: THE SIXTIES; ACCENT-UATIONS; The Beatles; The Kinks; WACKY WHIMSY; Pink Floyd; Bonzo Dog Doo-Dah Band; CH-CH-CH-CH-CHANGES; David Bowie, Part One; Chapter 4: THE SEVENTIES; GLAM BAM!; David Bowie, Part Two; Roxy Music; GOIN' DOWN TH' PUBS; Ian Dury 327 $aNEVER MIND THE BOLLOCKS, HERE'S BRITISH PUNKSex Pistols; The Slits; PUNK POETRY; John Cooper Clarke; THE NUTTY SOUND; Madness; Chapter 5: THE EIGHTIES; NEW ROMANTICS; ABC; NEW TRADITIONALISTS; The Smiths; Billy Bragg; POP GO THE SCOTS; The Proclaimers; MANC LADS; The Macc Lads; Happy Mondays; Chapter 6: THE NINETIES; GIRL POWER!; Spice Girls; COOL BRITANNIA; Blur; Pulp; TECHNO-SHOCK THERAPY; The KLF; Chapter 7: THE NAUGHTIES; 2-STEPPIN' OUT; The Streets; LONDON'S ANTI-DIVAS; Lily Allen; BRITPOP'S UP AGAIN; Arctic Monkeys; Art Brut; WELSH WITS; Chapter 8: CLOSING POINTS ...; NOTES; Back Cover 330 $aHumor, as much as any other trait, defines British cultural identity. It is "crucial in the English sense of nation," argues humor scholar Andy Medhurst; "To be properly English you must have a sense of humor," opines historian Antony Easthope. Author Zadie Smith perceives British humor as a national coping mechanism, stating, "You don't have to be funny to live here, but it helps." Sex Pistols frontman Johnny Rotten concurs, commenting, "There's a sense of comedy in the English that even in your grimmest moments you laugh"". Although humor invariably functions as a relief valve for the Britis 606 $aHumor in music 606 $aRock music$zGreat Britain 615 0$aHumor in music. 615 0$aRock music 676 $a781.66/09 676 $a817 700 $aEllis$b Iain$01546484 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779288003321 996 $aBrit wits$93802124 997 $aUNINA