LEADER 02670nam 2200601 a 450 001 9910779263303321 005 20230126202939.0 010 $a1-280-77892-X 010 $a9786613689313 010 $a0-7391-7535-1 035 $a(CKB)2550000000104301 035 $a(EBL)948643 035 $a(SSID)ssj0000687890 035 $a(PQKBManifestationID)12238815 035 $a(PQKBTitleCode)TC0000687890 035 $a(PQKBWorkID)10756812 035 $a(PQKB)10506262 035 $a(MiAaPQ)EBC948643 035 $a(Au-PeEL)EBL948643 035 $a(CaPaEBR)ebr10573573 035 $a(CaONFJC)MIL368931 035 $a(OCoLC)855502173 035 $a(EXLCZ)992550000000104301 100 $a20120306d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCinema at the crossroads$b[electronic resource] $enation and the subject in East Asian cinema /$fHyon Joo Yoo 210 $aLanham $cLexington Books$d2012 215 $a1 online resource (167 p.) 300 $aDescription based upon print version of record. 311 $a0-7391-8815-1 311 $a0-7391-6782-0 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- What's in a name? : postcolonial East Asia -- The other empire: Japan and the pornographic imagination of East Asia -- Can the subaltern "see"? : the subaltern vision and looking otherwise -- Transnational cultural production and the politics of moribund masculinity -- When is it postcolonial? : time-space in East Asian national cinema -- Epilogue. 330 $aWhat does it mean to rethink postcolonial studies through East Asian experience and cinema? Cinema at the Crossroads: Nation and the Subject in East Asian Cinema by Hyon Joo Yoo, pursues this question by bringing an East Asian postcolonial framework, the notion of film as a manifestation of national culture, and the methodology of psychoanalysis to bear on a failed hegemonic subject. This is a profound look into how cinema and national culture intertwine with hegemony and power.