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100   $a20111114d2012      ub             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aFirst cut 2$b[electronic resource] $emore conversations with film editors /$fGabriella Oldham
210   $aBerkeley $cUniversity of California Press$d2012
215   $a1 online resource (310 p.)
300   $aDescription based upon print version of record.
311   $a0-520-27350-8 
311   $a0-520-27351-6 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter --$tContents --$tAcknowledgments --$tIntroduction --$t1. Keeping Beats --$t2. Pushing the Envelope --$t3. Cutting from the Gut --$t4. Sensing Psychology --$t5. Capturing the Feeling --$t6. Speaking Cinema --$t7. Editing the Self --$t8. Pointing to the Middle --$t9. Honoring Lives --$t10. Weighing the Gold --$t11. Making It Work --$t12. Striking the Balance --$tBibliography --$tIndex
330   $aFirst Cut 2: More Conversations with Film Editors presents a new collection of twelve interviews with award-winning film editors who discuss the art and craft of editing in the twenty-first century. As a follow-up to the successful First Cut: Conversations with Film Editors (now celebrating its 20th anniversary), this new volume explores the transition of editing from the age of celluloid to the digital age. These extraordinarily articulate editors share their passion about film, offer detailed practical examples from their films to explain their process as well as their challenges, and imbue each interview with unique personality, humor, and cinematic insights. First Cut 2 continues the tradition of the first volume by interviewing both fiction and documentary editors, contributing to a rich, holistic appreciation of editing. It also introduces a significant interview with an independent filmmaker/editor to emphasize today's multiple opportunities for aspiring filmmakers to make their own "small films" and achieve success. Together with the first volume, First Cut 2 offers a panoramic survey of film editing and preserves its history through the voices of its practitioners. The stories told will engage students, inform general filmgoers, and even enlighten industry professionals.
517 3 $aFirst cut two
606   $aMotion pictures$xEditing
606   $aMotion picture editors$vInterviews
610   $a21st century.
610   $aaspiring filmmakers.
610   $aaward winners.
610   $acinema and film.
610   $acinematic insights.
610   $adigital age.
610   $adocumentary film.
610   $aediting.
610   $aeditorial process.
610   $afilm buffs.
610   $afilm editing.
610   $afilm editors.
610   $afilm historians.
610   $afilm history.
610   $afilm industry.
610   $afilm production.
610   $afilm scholars.
610   $afilm students.
610   $afilm studies.
610   $afilm theory.
610   $afilmmaking process.
610   $aindependent filmmakers.
610   $ainterviews.
610   $amedia studies.
610   $amodern film.
610   $amovie buffs.
610   $anonfiction.
610   $apsychology.
610   $atheatrical productions.
615  0$aMotion pictures$xEditing.
615  0$aMotion picture editors
676   $a777/.55
700   $aOldham$b Gabriella$0914536
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910779251803321
996   $aFirst cut 2$92643610
997   $aUNINA