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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aFrench opera$b[electronic resource] $ea short history /$fVincent Giroud
210   $aNew Haven [Conn.] $cYale University Press$dc2010
215   $a1 online resource $cillustrations
311   $a0-300-11765-5 
320   $aIncludes bibliographical references (p. [340]-346) and index.
327   $tFrontmatter -- $tCONTENTS -- $tILLUSTRATIONS -- $tACKNOWLEDGMENTS -- $tINTRODUCTION -- $tCHAPTER 1: FROM THE ORIGINS TO LULLY -- $tCHAPTER 2: FROM LULLY TO RAMEAU -- $tCHAPTER 3: THE AGE OF RAMEAU -- $tCHAPTER 4: GLUCK TO REVOLUTION -- $tCHAPTER 5: REVOLUTION TO ROMANTICISM -- $tCHAPTER 6: THE AGE OF GRAND OPÉRA -- $tCHAPTER 7: FRENCH OPERA UNDER THE SECOND EMPIRE -- $tCHAPTER 8: FROM CARMEN TO PELLÉAS -- $tCHAPTER 9: FROM THE BELLE ÉPOQUE TO THE ANNÉES FOLLES -- $tCHAPTER 10: CRISIS AND RENEWAL -- $tNOTES -- $tBIBLIOGRAPHY -- $tINDEX
330   $aFrench opera is second only to Italian opera in the length, breadth, and diversity of its history. Yet most people, if asked to come up with titles, could mention only a handful of titles-Carmen, Faust, Pelleas et Melisande, Samson et Dalila-a small list for an operatic tradition that began in the seventeenth century and is still very much alive. This book provides a full, single-volume account of opera in France from its origins to the present day.Vincent Giroud looks at the leading composers, from Lully to Messiaen and beyond; at the development of French operatic form and style; at performance, performers, and audience; and at the impact of French opera beyond France's borders. Lovers of opera will find this an ideal companion to their appreciation of the form.
606   $aOpera$zFrance
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