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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aMedia and popular music$b[electronic resource] /$fPeter Mills
210  1$aEdinburgh :$cEdinburgh University Press,$d2012.
215   $a1 online resource
225 1 $aMedia Topics
300   $aDescription based upon print version of record.
311   $a0-7486-2751-0 
311   $a0-7486-2749-9 
320   $aIncludes bibliographical references, discography, and index.
327   $tFrontmatter -- $tContents -- $tAcknowledgements -- $tGlossary -- $tIntroduction -- $t1 Dancing about Architecture? Mediating Popular Music Through the Written Word -- $t2 ?Everybody?s on Top of the Pops?: Popular Music on Television -- $t3 Sold on Song? The Use of Music in Television Advertising -- $t4 Who Listens to the Radio? Popular Music and Public Service Radio -- $t5 State of Independence? The Independent Record Label as Mediator of Popular Music -- $tConclusion -- $tAppendices -- $tI ?Hail, Hail, Rock?n?Roll? column by Laura Barton, The Guardian, Friday, 11 April 2008 -- $tII Music Week, Case Study, 18 September 2010 issue -- $tIII Down in the Grooves playlist, 10 October 2009 -- $tDiscography -- $tLinks -- $tBibliography -- $tIndex
330   $aThis book analyses the relationships between contemporary media and popular music, both via the mediation of music, and music as mediator. It does so through a series of original interviews with key practitioners: musicians, writers, magazine editors, radio presenters and major and independent label bosses. Those interviewed include Mark Ellen, editor of Smash Hits, Q, Mojo and currently Word magazines; Mark Cooper, producer of Later?with Jools Holland and CEO of Music Entertainment at the BBC; Ben Watt, half of Everything But The Girl and owner of independent label Buzzin' Fly; and Fiona Talkington, original and current presenter of the Sony Award winning Late Junction on BBC Radio 3. Through these interviews, theory and practice are measured against each other and the book considers their experiences and observations in order to explore the ways popular music is produced, marketed and mediated. Examining visual, print, radio and new media, Media and Popular Music draws together disparate elements of music and media which formerly have not been considered together, and provides a fresh and innovative contribution to the swiftly growing field of popular music studies.
410  0$aMedia topics.
606   $aMass media and music
606   $aPopular music$xHistory and criticism
615  0$aMass media and music.
615  0$aPopular music$xHistory and criticism.
676   $a780.06
700   $aMills$b Peter$f1963-$0659636
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910779149203321
996   $aMedia and popular music$93704419
997   $aUNINA