LEADER 00894cam0-2200313---450- 001 990005653360403321 005 20110509143135.0 035 $a000565336 035 $aFED01000565336 035 $a(Aleph)000565336FED01 035 $a000565336 100 $a19990604d1931----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $a<>problema della storia in Xénopol$fFrancesco Saverio Varano 210 $aGubbio$cScuola Tip. "Oderisi"$d1931 215 $a55 p.$d25 cm 610 0 $aXenopol, Alexandru Dimitrie <1847?1920> 676 $a901 676 $a199.498 700 1$aVarano,$bFrancesco Saverio$0217691 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005653360403321 952 $a901 VAR 1$bIST.ST.FIL. 5647$fFLFBC 959 $aFLFBC 996 $aProblema della storia in Xénopol$9605687 997 $aUNINA LEADER 03520oam 22006014a 450 001 9910779141703321 005 20161228111749.0 010 $a1-280-88050-3 010 $a9786613721815 010 $a0-472-02794-8 024 7 $a10.3998/mpub.345778 035 $a(CKB)2550000000104494 035 $a(OCoLC)802057630 035 $a(CaPaEBR)ebrary10575751 035 $a(SSID)ssj0000745060 035 $a(PQKBManifestationID)11416972 035 $a(PQKBTitleCode)TC0000745060 035 $a(PQKBWorkID)10852139 035 $a(PQKB)11263016 035 $a(MiU)10.3998/mpub.345778 035 $a(MiAaPQ)EBC3415067 035 $a(EXLCZ)992550000000104494 100 $a20121015e20112010 uy 101 0 $aeng 135 $auruuu---uuuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArtaud and his doubles /$fKimberly Jannarone 210 1$aAnn Arbor, Mich. :$cUniversity of Michigan Press,$dc2011. 215 $a1 online resource (272 p.) 225 1 $aTheater: theory/text/performance 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-472-03515-0 320 $aIncludes bibliographical references (p. 233-241) and index. 327 $aThe fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling in the theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise of the director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness. 330 3 $aThis is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from accepted familiar premises, largely established in the 1960s: Artaud as prophet, madman, genius, was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and his productions--I dug into the archives to research Artaud's theatrical practice. 410 0$aTheater--text/theory/performance. 606 $aCruelty in literature 606 $aDrama$xHistory and criticism$xTheory, etc 606 $aExperimental theater$zFrance$xHistory$y20th century 615 0$aCruelty in literature. 615 0$aDrama$xHistory and criticism$xTheory, etc. 615 0$aExperimental theater$xHistory 676 $a848/.91209 700 $aJannarone$b Kimberly$01519673 712 02$aMichigan Publishing (University of Michigan) 801 0$bMiU 801 1$bMiU 906 $aBOOK 912 $a9910779141703321 996 $aArtaud and his doubles$93757913 997 $aUNINA