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200 1 $aIncursioni spinoziste$fVittorio Morfino$gprefazione di Fulvio Papi
210   $aMilano$cMimesis$d2002
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200 10$aCensorship and sexuality in Bombay cinema$b[electronic resource] /$fMonika Mehta
205   $a1st ed.
210   $aAustin $cUniversity of Texas Press$d2011
215   $a1 online resource (319 p.)
300   $aBased on the author's thesis (doctoral)--University of Minnesota, 2001.
320   $aIncludes bibliographical references and index.
327   $aBeginning -- Revisiting the history of film censorship -- Close-up: the Central Board of Film Certification -- The first sex-education film: a classification conundrum -- Satyam shivam sundaram: (im)proper suturing of sound, scar, and stardom -- An anomalous dilemma: to ban or to certify the self-sacrificial wife in Pati parmeshwar -- Tracking the twists and turns in the Khalnayak -- Debates on censorship -- Dilwale dulhania le jayenge: certifying a "family love" story -- From censorship to selections.
606   $aMotion pictures$xCensorship$zIndia$zBombay
606   $aMotion pictures$zIndia$zBombay$xHistory$y20th century
606   $aSex in motion pictures
606   $aSex role in motion pictures
615  0$aMotion pictures$xCensorship
615  0$aMotion pictures$xHistory
615  0$aSex in motion pictures.
615  0$aSex role in motion pictures.
676   $a303.3/76
700   $aMehta$b Monika$f1970-$0845765
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996   $aCensorship and sexuality in Bombay cinema$91888126
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