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010   $a9786613588869
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100   $a20120402d2011      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aFraming Russian art$b[electronic resource] $efrom early icons to Malevich /$fOleg Tarasov ; translated by Robin Milner-Gulland and Antony Wood ; with an editorial preface by Robin Milner-Gulland
210   $aLondon $cReaktion Books$d2011
215   $a1 online resource (418 p.)
300   $a"This book was first published in 2007 by Progress-Traditsiya as Rama i obraz : Ritorika obramleniya v russkom iskusstve."
311   $a1-86189-762-6 
320   $aIncludes bibliographical references and index.
327   $apt. 1. Frame and image -- pt. 2. Playing with space.
330   $aThe notion of the frame in art can refer not only to a material frame bordering an image, but also to a conceptual frame. Both meanings are essential to how the work is perceived. In Framing Russian Art, art historian Oleg Tarasov investigates the role of the frame in its literal function of demarcating a work of art and in its conceptual function affectingthe understanding of what is seen.             The first part of the book is dedicated to the framework of the Russian icon. Here, Tarasov explores the historical and cultural meanings of the icon's,setting, and o
606   $aPicture frames and framing
606   $aPicture frames and framing$xHistory
606   $aPicture perception
606   $aArt appreciation
606   $aIcons$zRussia (Federation)
606   $aArt, Russian
606   $aArt, European
615  0$aPicture frames and framing.
615  0$aPicture frames and framing$xHistory.
615  0$aPicture perception.
615  0$aArt appreciation.
615  0$aIcons
615  0$aArt, Russian.
615  0$aArt, European.
676   $a701.1
700   $aTarasov$b Oleg$01088817
701   $aMilner-Gulland$b R. R$01478814
701   $aWood$b Antony$01478815
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910779086703321
996   $aFraming Russian art$93694626
997   $aUNINA