LEADER 04309nam 2200781 a 450 001 9910779079803321 005 20230725060116.0 010 $a1-62895-146-X 010 $a1-60917-231-0 035 $a(CKB)2550000000086925 035 $a(EBL)1672288 035 $a(SSID)ssj0000584999 035 $a(PQKBManifestationID)12177070 035 $a(PQKBTitleCode)TC0000584999 035 $a(PQKBWorkID)10592586 035 $a(PQKB)11092325 035 $a(MiAaPQ)EBC3338221 035 $a(OCoLC)778436385 035 $a(MdBmJHUP)muse18399 035 $a(Au-PeEL)EBL3338221 035 $a(CaPaEBR)ebr10527153 035 $a(OCoLC)923249901 035 $a(EXLCZ)992550000000086925 100 $a20101217d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aVisualities$b[electronic resource] $eperspectives on contemporary American Indian film and art /$fedited by Denise K. Cummings 210 $aEast Lansing $cMichigan State University Press$dc2011 215 $a1 online resource (269 p.) 225 1 $aAmerican Indian studies series 300 $aDescription based upon print version of record. 311 $a0-87013-999-1 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Indigenous visualities -- pt. 1. Indigenous film practices -- Visual prophecies : Imprint and It starts with a whisper / Michelle H. Raheja -- Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne -- Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst -- Elusive identities : representations of Native Latin America in the contemporary film industry / Roci?o Quispe-Agnoli -- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey -- Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper -- pt. 2. Contemporary American Indian art -- Indigenous semiotics and shared modernity / Dean Rader -- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin -- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler -- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen. 330 $aIn recent years, works by American Indian artists and filmmakers such as Jaune Quick-To-See Smith, Edgar Heap of Birds, Sherman Alexie, Shelley Niro, and Chris Eyre have illustrated the importance of visual culture as a means to mediate identity in contemporary Native America. This insightful collection of essays explores how identity is created and communicated through Native film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work. Taking 410 0$aAmerican Indian studies series. 606 $aIndian arts$zUnited States 606 $aArts and society$zUnited States 606 $aIndians of North America$xIntellectual life 606 $aIndians of North America$xEthnic identity 606 $aVisual communication$zUnited States 606 $aIndigenous films$zUnited States 606 $aIndians in motion pictures 606 $aIndian motion picture producers and directors$zUnited States$vBiography 606 $aIndian art$zUnited States 606 $aIndian artists$zUnited States$vBiography 615 0$aIndian arts 615 0$aArts and society 615 0$aIndians of North America$xIntellectual life. 615 0$aIndians of North America$xEthnic identity. 615 0$aVisual communication 615 0$aIndigenous films 615 0$aIndians in motion pictures. 615 0$aIndian motion picture producers and directors 615 0$aIndian art 615 0$aIndian artists 676 $a700.89/97009051 701 $aCummings$b Denise K$01478755 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779079803321 996 $aVisualities$93694560 997 $aUNINA