LEADER 04060nam 2200613 a 450 001 9910779053203321 005 20200520144314.0 010 $a1-283-95216-5 010 $a1-78042-794-8 035 $a(CKB)2550000000089299 035 $a(EBL)887067 035 $a(OCoLC)817923289 035 $a(SSID)ssj0000652388 035 $a(PQKBManifestationID)12328637 035 $a(PQKBTitleCode)TC0000652388 035 $a(PQKBWorkID)10641803 035 $a(PQKB)11322536 035 $a(MiAaPQ)EBC887067 035 $a(Au-PeEL)EBL887067 035 $a(CaPaEBR)ebr10532499 035 $a(CaONFJC)MIL426466 035 $a(PPN)197277829 035 $a(EXLCZ)992550000000089299 100 $a20120315d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSymbolism$b[electronic resource] /$f[Nathalia Brodskai?a] 210 $a[New York] $cParkstone International$d[2012] 215 $a1 online resource (200 p.) 225 1 $aArt of century collection 300 $aDescription based upon print version of record. 311 $a1-84484-444-7 320 $aIncludes bibliographical references and index. 327 $aContents; Introduction: The Manifesto of Symbolism by Jean More?as; SYMBOLISM; FIRST SCENE; SCENE II; Symbolism in Literature; Symbolist Poems; Charles Baudelaire, A Carcass; Charles Baudelaire, Correspondances; Charles Baudelaire, Spleen; Rene? Ghil, In the Times of the Gods; Remy de Gourmont, Hieroglyphs; Joris-Karl Huysmans, Preliminary Sonnet; Alfred Jarry, Bards and Cords; Gustave Kahn, The Cup; Jules Laforgue, Complaint of the Pianos One Hears in Better Neighbourhoods; Maurice Maeterlinck, Foliage of the Heart; Ste?phane Mallarme?, Afternoon of A Faun (extract) 327 $aRobert de Montesquiou, Hymn to the Night Jean More?as, Sensuality; Anna de Noailles, Death said to the Man...; Henri de Re?gnier, To Ste?phane Mallarme?; Arthur Rimbaud, Vowels; Saint-Pol-Roux, The Purifying Rain; Paul Vale?ry, He?le?ne; Emile Verhaeren, The Rock (extract); Paul Verlaine, Poetic Art; Paul Verlaine, Languor; Symbolism in Art; Major Artists; Pierre Puvis de Chavannes (Lyon, 1824 - Paris, 1898); Arnold Bo?cklin (Basle, 1827 - Zurich, 1901); Gustave Moreau (Paris, 1828 - Paris, 1898); Dante Gabriel Rossetti (London, 1828 - Birchington-on-Sea, 1882) 327 $aEdward Burne-Jones (Birmingham, 1833 - London, 1898)Odilon Redon (Bordeaux, 1840 - Paris, 1916); Euge?ne Carrie?re (Gournay-sur-Marne, 1849 - Paris, 1906); Mikhail Aleksandrovich Vrubel (Omsk, 1856 - St Petersburg, 1910); Fernand Khnopff (Grembergen-lez-Termonde, 1858 - Brussels, 1921); Jan Toorop (Purworedjo, 1858 - The Hague, 1928); Edvard Munch (Løten, 1863 - Ekely, 1944); Franz von Stuck (Tettenweis, 1863 - Munich, 1928); Jens Ferdinand Willumsen (Copenhagen, 1863 - Le Canet, 1958); Maurice Denis (Granville, 1870 - Paris, 1943); Notes; Bibliography; Index 330 $aSymbolism appeared in France and Europe between the 1880's and the beginning of the 20th century. The Symbolists, fascinated with ancient mythology, attempted to escape the reign of rational thought imposed by science. They wished to transcend the world of the visible and the rational in order to attain the world of pure thought, constantly flirting with the limits of the unconscious.The French Gustave Moreau, Odilon Redon, the Belgians Fernand Khnopff and Fe?licien Rops, the English Edward Burne-Jones and Dante Gabriel Rossetti, and the Dutch Jan Toorop are the most representative artists of th 410 0$aArt of century collection. 606 $aSymbolism (Art movement) 606 $aPainting, Modern$y19th century 615 0$aSymbolism (Art movement) 615 0$aPainting, Modern 676 $a759.057 700 $aBrodskai?a$b N. V$g(Natal?i?a Valentinovna)$0863734 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779053203321 996 $aSymbolism$93808963 997 $aUNINA