LEADER 03813nam 2200601 a 450 001 9910778943403321 005 20230802004538.0 010 $a0-8147-6866-0 024 7 $a10.18574/9780814768662 035 $a(CKB)2550000000087225 035 $a(EBL)865822 035 $a(OCoLC)775686861 035 $a(StDuBDS)EDZ0001326207 035 $a(MiAaPQ)EBC865822 035 $a(MdBmJHUP)muse19819 035 $a(DE-B1597)547017 035 $a(DE-B1597)9780814768662 035 $a(Au-PeEL)EBL865822 035 $a(CaPaEBR)ebr10531195 035 $a(OCoLC)1158110495 035 $a(EXLCZ)992550000000087225 100 $a20110426d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aBeyond the nation$b[electronic resource] $ediasporic Filipino literature and queer reading /$fMartin Joseph Ponce 210 $aNew York $cNew York University Press$dc2012 215 $a1 online resource (300 p.) 225 1 $aSexual cultures 300 $aDescription based upon print version of record. 311 $a0-8147-6806-7 311 $a0-8147-6805-9 320 $aIncludes bibliographical references and index. 327 $aThe romantic didactics of Maximo Kalaw's nationalism -- The queer erotics of Jose Garcia Villa's modernism -- The sexual politics of Carlos Bulosan's radicalism -- The cross-cultural musics of Jessica Hagedorn's postmodernism -- The diasporic poetics of queer martial law literature -- The transpacific tactics of contemporary Filipino American literature. 330 $aPart of the American Literatures Initiative Series Beyond the Nation charts an expansive history of Filipino literature in the U.S., forged within the dual contexts of imperialism and migration, from the early twentieth century into the twenty-first. Martin Joseph Ponce theorizes and enacts a queer diasporic reading practice that attends to the complex crossings of race and nation with gender and sexuality. Tracing the conditions of possibility of Anglophone Filipino literature to U.S. colonialism in the Philippines in the early twentieth century, the book examines how a host of writers from across the century both imagine and address the Philippines and the United States, inventing a variety of artistic lineages and social formations in the process. Beyond the Nation considers a broad array of issues, from early Philippine nationalism, queer modernism, and transnational radicalism, to music-influenced and cross-cultural poetics, gay male engagements with martial law and popular culture, second-generational dynamics, and the relation between reading and revolution. Ponce elucidates not only the internal differences that mark this literary tradition but also the wealth of expressive practices that exceed the terms of colonial complicity, defiant nationalism, or conciliatory assimilation. Moving beyond the nation as both the primary analytical framework and locus of belonging, Ponce proposes that diasporic Filipino literature has much to teach us about alternative ways of imagining erotic relationships and political communities. 410 0$aSexual cultures. 606 $aPhilippine literature (English)$xHistory and criticism 606 $aPhilippine literature$xHistory and criticism 606 $aHomosexuality in literature 615 0$aPhilippine literature (English)$xHistory and criticism. 615 0$aPhilippine literature$xHistory and criticism. 615 0$aHomosexuality in literature. 676 $a810.9/89921073 700 $aPonce$b Martin Joseph$01574619 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778943403321 996 $aBeyond the nation$93850995 997 $aUNINA LEADER 04132nam 2200829Ia 450 001 9910958993503321 005 20251117095414.0 010 $a1-136-45305-9 010 $a1-280-66119-4 010 $a9786613638120 010 $a1-136-45306-7 010 $a0-203-12590-8 024 7 $a10.4324/9780203125908 035 $a(CKB)2550000000100375 035 $a(EBL)957490 035 $a(OCoLC)798533209 035 $a(SSID)ssj0000677475 035 $a(PQKBManifestationID)11469825 035 $a(PQKBTitleCode)TC0000677475 035 $a(PQKBWorkID)10694716 035 $a(PQKB)11067861 035 $a(MiAaPQ)EBC957490 035 $a(Au-PeEL)EBL957490 035 $a(CaPaEBR)ebr10558561 035 $a(CaONFJC)MIL363812 035 $a(OCoLC)793947617 035 $a(FINmELB)ELB134420 035 $a(EXLCZ)992550000000100375 100 $a20111013d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aEthics and images of pain /$fedited by Asbjrn Grnstad and Henrik Gustafsson 205 $a1st ed. 210 $aNew York $cRoutledge$d2012 210 1$aNew York :$cRoutledge,$d2012. 215 $a1 online resource (263 p.) 225 1 $aRoutledge advances in art and visual studies ;$v1 300 $aDescription based upon print version of record. 311 08$a1-138-24330-2 311 08$a0-415-89382-8 320 $aIncludes bibliographical references and index. 327 $aCover; Ethics and Images of Pain; Copyright; Contents; List of Figures; Acknowledgements; Preface; Introduction; PART I: From Voyeurism to Visual Politics; 1. Do Not Look at Y/Our Own Peril: Voyeurism as Ethical Necessity, or To See as a Child Again; 2. Associates in Crime and Guilt; 3. Painful Photographs: From the Ethics of Spectatorship to Visual Politics; PART II: Looking In, Looking Away; 4. The Violence of the Documentary Image: Errol Morris's Standard Operating Procedure 327 $a5. Visual Irruptions, Mediated Suffering, and the Robert Dziekanski Tragedy: An Inquiry into the Effi cacy of the Image6. Tuning Out, Turning In, and Walking Off : The Film Spectator in Pain; PART III: Performances; 7. Imaging Pain; 8. The Unsettling Moment: On Mathilde ter Heijne's Suicide Trilogy; 9. Gulag Follies; PART IV: Mimetic and Mnemonic Frames; 10. Imag(in)ing Painful Pasts: Mimetic and Poetic Style in War Films; 11. The Sanctifi ed Fallen: The War Film as Witness; 12. Medical Horror: Visual Documents From the History of Lobotomy; Contributers; Index 330 $aFew phenomena are as formative of our experience of the visual world as displays of suffering. But what does it mean to have an ethical experience of disturbing or traumatizing images? What kind of ethical proposition does an image of pain mobilize? How may the spectator learn from and make use of the painful image as a source of ethical reflection? Engaging with a wide range of visual media--from painting, theatre, and sculpture, to photography, film, and video--this interdisciplinary collection of essays by leading and emerging scholars of visual culture offers a reappraisal of the increasin 410 0$aRoutledge advances in art and visual studies ;$v1. 606 $aArt$xMoral and ethical aspects 606 $aMass media$xMoral and ethical aspects 606 $aPain in art 606 $aPain in mass media 606 $aPain in the performing arts 606 $aPerforming arts$xMoral and ethical aspects 615 0$aArt$xMoral and ethical aspects. 615 0$aMass media$xMoral and ethical aspects. 615 0$aPain in art. 615 0$aPain in mass media. 615 0$aPain in the performing arts. 615 0$aPerforming arts$xMoral and ethical aspects. 676 $a700.453 676 $a700/.453 676 $a701 701 $aGrnstad$b Asbjrn$0800803 701 $aGustafsson$b Henrik$01178688 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910958993503321 996 $aEthics and images of pain$94484699 997 $aUNINA