LEADER 04055nam 22008175 450 001 9910778941003321 005 20200920062555.0 010 $a1-137-37283-4 010 $a1-283-44070-9 010 $a9786613440709 010 $a1-137-01621-3 024 7 $a10.1057/9781137016218 035 $a(CKB)2550000000084211 035 $a(EBL)858911 035 $a(OCoLC)775872827 035 $a(SSID)ssj0000598847 035 $a(PQKBManifestationID)11381397 035 $a(PQKBTitleCode)TC0000598847 035 $a(PQKBWorkID)10592308 035 $a(PQKB)11419291 035 $a(DE-He213)978-1-137-01621-8 035 $a(MiAaPQ)EBC858911 035 $a(EXLCZ)992550000000084211 100 $a20151208d2011 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aContemporary Hollywood Masculinities$b[electronic resource] $eGender, Genre, and Politics /$fby Susanne Kord, Elisabeth Krimmer 205 $a1st ed. 2011. 210 1$aNew York :$cPalgrave Macmillan US :$cImprint: Palgrave Macmillan,$d2011. 215 $a1 online resource (291 p.) 300 $aDescription based upon print version of record. 311 $a1-349-34141-X 311 $a0-230-33841-0 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Men in trouble -- Lawlessness and disorder: cops and other serial killers -- Fathers, crises and nations -- Cowboys, myths and audiences -- Real men? Superheroes, leadership and the war on terror -- Spies, paranoia, and torture -- Soldiers from World War II to Iraq -- New men? Rogues, race, and hegemony -- Lovers: men, women, and gender equality -- Losers, meritocracy and identification -- Conclusion. 330 $aKord and Krimmer investigate the most common male types - cops, killers, fathers, cowboys, superheroes, spies, soldiers, rogues, lovers, and losers - by tracing changing concepts of masculinity in popular Hollywood blockbusters from 1992 to 2008 - the Clinton and Bush eras - against a backdrop of contemporary political events, social developments, and popular American myths. Their in-depth analysis of over sixty films, from The Matrix and Iron Man to Pirates of the Caribbean and The Lord of the Rings, shows that movies, far from being mere entertainment, respond directly to today's social and political realities, from consumerism to "family values" to the War on Terror. 606 $aCommunication 606 $aMotion pictures?United States 606 $aSociology 606 $aMotion pictures?History 606 $aMotion pictures and television 606 $aArts 606 $aMedia Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/412000 606 $aAmerican Cinema and TV$3https://scigraph.springernature.com/ontologies/product-market-codes/413010 606 $aGender Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/X35000 606 $aFilm History$3https://scigraph.springernature.com/ontologies/product-market-codes/413070 606 $aScreen Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/413000 606 $aArts$3https://scigraph.springernature.com/ontologies/product-market-codes/416000 615 0$aCommunication. 615 0$aMotion pictures?United States. 615 0$aSociology. 615 0$aMotion pictures?History. 615 0$aMotion pictures and television. 615 0$aArts. 615 14$aMedia Studies. 615 24$aAmerican Cinema and TV. 615 24$aGender Studies. 615 24$aFilm History. 615 24$aScreen Studies. 615 24$aArts. 676 $a791.43 676 $a791.43653 700 $aKord$b Susanne$4aut$4http://id.loc.gov/vocabulary/relators/aut$0457709 702 $aKrimmer$b Elisabeth$4aut$4http://id.loc.gov/vocabulary/relators/aut 906 $aBOOK 912 $a9910778941003321 996 $aContemporary Hollywood Masculinities$93850973 997 $aUNINA