LEADER 03719nam 2200601 a 450 001 9910778937603321 005 20230725060102.0 010 $a1-61811-133-7 024 7 $a10.1515/9781618111333 035 $a(CKB)2550000000087105 035 $a(OCoLC)785776759 035 $a(CaPaEBR)ebrary10528137 035 $a(SSID)ssj0000584931 035 $a(PQKBManifestationID)12219229 035 $a(PQKBTitleCode)TC0000584931 035 $a(PQKBWorkID)10592710 035 $a(PQKB)11180154 035 $a(DE-B1597)541108 035 $a(DE-B1597)9781618111333 035 $a(Au-PeEL)EBL3110446 035 $a(CaPaEBR)ebr10528137 035 $a(CaONFJC)MIL546546 035 $a(MiAaPQ)EBC3110446 035 $a(EXLCZ)992550000000087105 100 $a20101118d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$a"I am to be read not from left to right, but in Jewish, from right to left"$b[electronic resource] $ethe poetics of Boris Slutsky /$fMarat Grinberg 210 $aBoston $cAcademic Studies Press$d2011 215 $a1 online resource (484 p.) 225 1 $aBorderlines: Russian and East European Jewish studies 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-934843-73-3 320 $aIncludes bibliographical references (p. 432-[451]) and indexes. 327 $aIntroduction: poet-interpreter/translator-scribe -- Mythology/life, hermeneutics, translation -- The coordinates: origin-return-seclusion -- Pt. 1. Historiography -- The Ur-suite of 1940/41: "poems about Jews and Tatars" -- The poet-historian: transplantation added -- A blessed curse: The midrash of 1947-53 -- Looking at the burned planet: the post-holocaust verse -- The resurrected remnant: of horses and metapoetics -- Pt. 2. Polemics -- Writing the Jew: the poet's genealogies -- On account of the elegy: within cemetery walls -- Conversing about god: between the old and the new -- Pt. 3. Intertexts -- Among the objectivists: Charles Reznikoff -- Blindness and no insight: David Samoilov -- "leader of leaders and mentor of mentors": Il'ia Sel'vinskii -- "Weighty proofs of the unprovable": Ian Satunovskii -- the final myth: Pushkin -- conclusion: the reader in perpetuity. 330 $aBoris Slutsky (1919-1986) is a major original figure of Russian poetry of the second half of the twentieth century, whose oeuvre has remained unexplored and unstudied. The first scholarly study of the poet, Marat Grinberg's book substantially fills this critical lacuna in the current comprehension of Russian and Soviet literatures. Grinberg argues that Slutsky's body of work amounts to a Holy Writ of his times, which daringly fuses biblical prooftexts and stylistics with the language of late Russian Modernism and Soviet newspeak. The book is directed toward readers of Russian poetry and pan-Jewish poetic traditions, scholars of Soviet culture and history and the burgeoning field of Russian Jewish studies. Finally, it contributes to the general field of poetics and Modernism. 410 0$aBorderlines (Boston, Mass.) 606 $aRussian poetry$y20th century$xHistory and criticism 606 $aRussian literature$xJewish authors$xHistory and criticism 615 0$aRussian poetry$xHistory and criticism. 615 0$aRussian literature$xJewish authors$xHistory and criticism. 676 $a891.71/44 700 $aGrinberg$b Marat$f1977-$01549988 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778937603321 996 $a"I am to be read not from left to right, but in Jewish, from right to left"$93808440 997 $aUNINA LEADER 02273nam 2200349z- 450 001 9910163243203321 005 20170924171407.0 010 $a1-62517-319-9 035 $a(CKB)3810000000095439 035 $a(BIP)046342911 035 $a(VLeBooks)9781625173195 035 $a(Exl-AI)993810000000095439 035 $a(EXLCZ)993810000000095439 100 $a20160919c2014uuuu -u- - 101 0 $aeng 200 $aSituationism: A Compendium 210 $aS.l$cBread and Circuses 215 $a1 online resource (59 p.) 330 8 $aAfter Guy Debord's seminal Society of the Spectacle, this new compendium brings together eight other important situationist works. Ivan Chtcheglov opens proceedings via his Formulary for a New Urbanism (1953), with it's quasi-mythical demand that resonated down through generations: "The hacienda must be built", followed by two brief but illuminating pieces from Asger Jorn, who's sandpaper book cover later turned up under the same Factory Records roof as Manchesters' own Hacienda, on the Durrtti Column's "Return of the Durrutti Column" ( the title itself lifted from Andre Bertrand's de?tourned pro-situ comic strip). Debord's The Decline and Fall of the Spectacle-Commodity Economy-was an immediate, razor sharp response to the LA/Watts Riots of 1965, it's analysis of the relationship between the rioter and the meaningless, unaffordable commodities they loot or destroy resonating heavily today. Tunisian situationist Mustapha Khayati contributes Address to Revolutionaries of Algeria and of All Countries and the game changing "On the Poverty of Student Life", the match that arguably lit the fires of May 68'. Raoul Vaneigem's The Revolution of Everyday Life finishes things off in defiant fashion : ". You're f*%@g Around With Us? -- Not For Long!" 606 $aProtest movements$7Generated by AI 606 $aSocial history$7Generated by AI 615 0$aProtest movements 615 0$aSocial history 701 $aDebord$b Guy$0142221 701 $aChtcheglov$b Ivan$01747008 701 $aJorn$b Asger$0219730 701 $aVaneigem$b Raoul$0442504 701 $aKhayati$b Mustapha$01747009 906 $aBOOK 912 $a9910163243203321 996 $aSituationism: A Compendium$94178843 997 $aUNINA