LEADER 03498nam 2200625 a 450 001 9910778928903321 005 20210830032846.0 010 $a1-280-65952-1 010 $a9786613636454 010 $a1-61147-475-2 035 $a(CKB)2550000000084260 035 $a(EBL)858963 035 $a(OCoLC)775872945 035 $a(SSID)ssj0000613141 035 $a(PQKBManifestationID)12248207 035 $a(PQKBTitleCode)TC0000613141 035 $a(PQKBWorkID)10586763 035 $a(PQKB)10103434 035 $a(Au-PeEL)EBL858963 035 $a(CaPaEBR)ebr10538179 035 $a(CaONFJC)MIL363645 035 $a(MiAaPQ)EBC858963 035 $a(EXLCZ)992550000000084260 100 $a20110923d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aWho hears in Shakespeare?$b[electronic resource] $eauditory world, stage and screen /$feditors, Laury Magnus, Walter W. Cannon 210 $aMadison,NJ $cFairleigh Dickinson University Press ;$aLanham, Md. $cRowman & Littlefield$dc2012 215 $a1 online resource (285 p.) 300 $aDescription based upon print version of record. 311 $a1-61147-474-4 320 $aIncludes bibliographical references and index. 327 $aWhy was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear. 330 $aThis volume examines the ways in which Shakespeare's plays are designed for hearers as well as spectators and shows how Shakespeare's stagecraft, actualized both on stage and screen, revolves around various hearing conventions such as soliloquies, asides, eavesdropping, overhearing, and stage whispers. In short, Who Hears in Shakespeare? enunciates Shakespeare's nuanced, powerful stagecraft of hearing.