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100   $a20180706d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 13$aAn actress prepares $ewomen and "the method" /$fRosemary Malague
210  1$aLondon ;$aNew York :$cRoutledge,$d2012.
215   $a1 online resource (265 p.)
300   $aDescription based upon print version of record.
311   $a0-415-68157-X 
311   $a0-415-68156-1 
320   $aIncludes bibliographical references and index.
327   $aAn Actress Prepares Women and "the Method"; Copyright; Contents; Acknowledgments; 1. The "Given Circumstances"; 2. Emotional Control: Lee Strasberg as "Big Daddy" of the Method; 3. Script Analysis: Stella Adler's Feminist Subtext; 4. Exercises in Repetition: Sanford Meisner and "Instinct"; 5. Respect for the Actress: Uta Hagen on Playing Female Roles; 6. The "Magic If": Forward-Looking Conclusions; Notes; Bibliography; Index
330   $a'Every day, thousands of women enter acting classes where most of them will receive some variation on the Stanislavsky-based training that has now been taught in the U.S. for nearly ninety years. Yet relatively little feminist consideration has been given to the experience of the student actress: What happens to women in Method actor training?'An Actress Prepares is the first book to interrogate Method acting from a specifically feminist perspective. Rose Malague addresses ""the Method"" not only with much-needed critical distance, but also the crucial insid
606   $aMethod acting
606   $aFeminism and theater
606   $aSex discrimination against women
606   $aSexism
615  0$aMethod acting.
615  0$aFeminism and theater.
615  0$aSex discrimination against women.
615  0$aSexism.
676   $a792.082
700   $aMalague$b Rosemary$f1961-,$01499104
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910778909403321
996   $aAn actress prepares$93724937
997   $aUNINA