LEADER 02591nam 2200673Ia 450 001 9910778905803321 005 20200520144314.0 010 $a1-283-29296-3 010 $a9786613292964 010 $a0-252-09351-8 035 $a(CKB)2550000000089043 035 $a(OCoLC)767579269 035 $a(CaPaEBR)ebrary10532316 035 $a(SSID)ssj0000555463 035 $a(PQKBManifestationID)11336565 035 $a(PQKBTitleCode)TC0000555463 035 $a(PQKBWorkID)10519514 035 $a(PQKB)11660630 035 $a(MiAaPQ)EBC3413844 035 $a(StDuBDS)EDZ0000649227 035 $a(MdBmJHUP)muse23665 035 $a(Au-PeEL)EBL3413844 035 $a(CaPaEBR)ebr10532316 035 $a(CaONFJC)MIL329296 035 $a(OCoLC)923492919 035 $a(EXLCZ)992550000000089043 100 $a20110225d2011 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aScripting Hitchcock$b[electronic resource] $ePsycho, The birds, and Marnie /$fWalter Raubicheck & Walter Srebnick 210 $aUrbana $cUniversity of Illinois Press$dc2011 215 $a1 online resource (161 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-252-07824-1 311 $a0-252-03648-4 320 $aIncludes bibliographical references and index. 327 $aPreface -- The triptych and the screenplays -- The sources -- From treatment to script -- Final drafts : the shooting script -- Afterword. 330 8 $aDrawing from extensive interviews with the screenwriters and other film technicians who worked for Hitchcock, the authors illustrate how much of the filmmaking process took place not on the set or in front of the camera, but in the adaptation of the sources, the mutual creation of plot and characters by the director and the writers. 606 $aMotion picture plays, American$xHistory and criticism 606 $aMotion picture authorship 606 $aFilm adaptations$xHistory and criticism 606 $aScreenwriters$zUnited States 615 0$aMotion picture plays, American$xHistory and criticism. 615 0$aMotion picture authorship. 615 0$aFilm adaptations$xHistory and criticism. 615 0$aScreenwriters 676 $a791.4302/33092 700 $aRaubicheck$b Walter$f1950-$01520675 701 $aSrebnick$b Walter$01557563 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778905803321 996 $aScripting Hitchcock$93821228 997 $aUNINA