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100   $a19930517d1997      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aMusic and the silent film$b[electronic resource] $econtexts and case studies, 1895-1924 /$fMartin Miller Marks
210   $aNew York $cOxford University Press$d1997
215   $a1 online resource (320 p.)
300   $aRevision of the author's thesis (doctoral)--Harvard University, 1990.
311   $a0-585-35077-9 
311   $a0-19-506891-2 
320   $aIncludes bibliographical references (p. 221-294) and index.
327   $aContents; Appendix Contents; List of Figures; ONE: Film and Music: An Introduction to Research; TWO: First Stages, Dimly Lit: Sources and Scores Prior to 1910; THREE: Film Scores in America, 1910-14; FOUR: Breil's Score for The Birth of a Nation; FIVE: Erik Satie's Score for Entr'acte; Appendix; Notes; Index
330   $aMost people's view of silent film music is of a pianist playing old scores while watching the flickering screen. This title shows that there was much more to silent films and that often it was planned from the start as an integral part of the film. The author argues that film scores are a major and vibrant part of 20th century music.
606   $aSilent film music$xHistory and criticism
606   $aMotion picture music
615  0$aSilent film music$xHistory and criticism.
615  0$aMotion picture music.
676   $a781.5/42
700   $aMarks$b Martin Miller$01557541
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910778901303321
996   $aMusic and the silent film$93821184
997   $aUNINA