LEADER 03340nam 22006972 450 001 9910778874803321 005 20221118222949.0 010 $a0-511-09149-4 010 $a1-107-11425-X 010 $a0-511-00288-2 010 $a1-280-42923-2 010 $a0-511-17195-1 010 $a0-511-14958-1 010 $a0-511-30973-2 010 $a0-511-60567-6 010 $a0-511-05424-6 024 7 $a2027/heb07646 035 $a(CKB)111004366729496 035 $a(EBL)144640 035 $a(OCoLC)437250296 035 $a(SSID)ssj0000109685 035 $a(PQKBManifestationID)11133537 035 $a(PQKBTitleCode)TC0000109685 035 $a(PQKBWorkID)10046411 035 $a(PQKB)11433803 035 $a(UkCbUP)CR9780511605673 035 $a(Au-PeEL)EBL144640 035 $a(CaPaEBR)ebr2000681 035 $a(CaONFJC)MIL42923 035 $a(MiAaPQ)EBC144640 035 $a(dli)HEB07646 035 $a(MiU)MIU01000000000000007432755 035 $a(EXLCZ)99111004366729496 100 $a20141103d1999|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBeethoven, the moonlight and other sonatas, op. 27 and op. 31 /$fTimothy Jones$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d1999. 215 $a1 online resource (xii, 146 pages) $cdigital, PDF file(s) 225 1 $aCambridge music handbooks 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-59859-1 311 $a0-521-59136-8 320 $aIncludes bibliographical references (p. ) and index. 327 $aPreliminaries; Contents; Preface; Acknowledgements; 1 Keyboard culture; 2 Beethoven in 1800 -1802; 3 Composition and reception; 4 Quasi una fantasia?; 5 The design of the Op. 27 sonatas; 6 The design of the Op. 31 sonatas; Notes; Select bibliography; Index 330 $aEven in Beethoven's day the 'Moonlight' Sonata was a popular favourite. This 1999 book provides an accessible introduction to the Sonatas Opp. 27 and 31 (including The 'Moonlight' and 'The Tempest'), aimed at pianists, students, and music lovers. It begins with the works' historical background - the emergence of a 'piano culture' at the end of the eighteenth century, Beethoven's aristocratic milieu in Vienna, and his oft-quoted intention to follow a new compositional path. An account of the sonatas' genesis is followed by a discussion of their reception history, including a survey of changing performing styles since the mid-nineteenth century. The concept of the Sonata quasi una Fantasia is examined in relation to the cult of artistic sensibility in early-nineteenth-century Vienna. The study concludes with a critical introduction to each sonata. 410 0$aCambridge music handbooks. 517 3 $aBeethoven: The 'Moonlight' & other Sonatas, Op. 27 & Op. 31 606 $aSonatas (Piano)$xAnalysis, appreciation 615 0$aSonatas (Piano)$xAnalysis, appreciation. 676 $a786.2/183 700 $aJones$b Timothy$cDr,$0791930 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910778874803321 996 $aBeethoven, the Moonlight and other sonatas, op. 27 and op. 31$91770692 997 $aUNINA