LEADER 01124nam--2200373---450- 001 990003579630203316 005 20111020142317.0 010 $a978-3-8006-3906-9 035 $a000357963 035 $aUSA01000357963 035 $a(ALEPH)000357963USA01 035 $a000357963 100 $a20111020d2011----km-y0enga50------ba 101 0 $ager 102 $aDE 105 $ay---z---001yy 200 1 $aSchuldrecht$eAllgemeiner Teil$fvon Dirk Looschelders 205 $a9. Aufl. 210 $aMünchen$cValhen$d2011 215 $aXXXIV, 451 p.$d21 cm 225 2 $aAcademia iuris$eLehrbücher der Rechtswissenschaft 410 0$12001$aAcademia iuris$eLehrbücher der Rechtswissenschaft 606 0 $aContratti$yGermania 676 $a346.43022 700 1$aLOOSCHELDERS,$bDirk$0567346 801 0$aIT$bsalbc$gISBD 912 $a990003579630203316 951 $aXXX.A. Coll. 115/ 58$b72694 G.$cXXX.A. Coll. 115/$d00267374 959 $aBK 969 $aGIU 979 $aFIORELLA$b90$c20111020$lUSA01$h1405 979 $aFIORELLA$b90$c20111020$lUSA01$h1423 996 $aSchuldrecht$91075031 997 $aUNISA LEADER 03603nam 22007092 450 001 9910778870003321 005 20160330144019.0 010 $a1-107-11121-8 010 $a0-521-03054-4 010 $a1-280-15356-3 010 $a0-511-11722-1 010 $a0-511-14927-1 010 $a0-511-30956-2 010 $a0-511-48347-3 010 $a0-511-05143-3 035 $a(CKB)111004366730682 035 $a(EBL)201891 035 $a(OCoLC)475916161 035 $a(SSID)ssj0000257769 035 $a(PQKBManifestationID)11220013 035 $a(PQKBTitleCode)TC0000257769 035 $a(PQKBWorkID)10253794 035 $a(PQKB)10444266 035 $a(UkCbUP)CR9780511483479 035 $a(MiAaPQ)EBC201891 035 $a(Au-PeEL)EBL201891 035 $a(CaPaEBR)ebr10064309 035 $a(CaONFJC)MIL15356 035 $a(EXLCZ)99111004366730682 100 $a20090224d1999|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTheatre and humanism $eEnglish drama in the sixteenth century /$fKent Cartwright$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d1999. 215 $a1 online resource (x, 321 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-511-00482-6 311 $a0-521-64075-X 320 $aIncludes bibliographical references (p. 249-312) and index. 327 $aThe humanism of acting: John Heywood's The foure pp -- Wit and science and the dramaturgy of learning -- Playing against type: Gammer Gurton's needle -- Time, tyranny, and suspense in political drama of the 1560s -- Humanism and the dramatizing of women -- The confusions of Gallathea: John Lyly as popular dramatist -- Bearing witness to Tamburlaine, part 1 -- Robert Greene's Friar Bacon and Friar Bungay: the commonwealth of the present moment. 330 $aEnglish drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century. 517 3 $aTheatre & Humanism 606 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism 606 $aTheater$zEngland$xHistory$y16th century 606 $aRenaissance$zEngland 606 $aHumanists$zEngland 607 $aEngland$xIntellectual life$y16th century 615 0$aEnglish drama$xHistory and criticism. 615 0$aTheater$xHistory 615 0$aRenaissance 615 0$aHumanists 676 $a822/.309 700 $aCartwright$b Kent$f1943-$0997040 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910778870003321 996 $aTheatre and humanism$93854570 997 $aUNINA