LEADER 03896oam 2200661I 450 001 9910452822903321 005 20200520144314.0 010 $a0-429-21294-1 010 $a1-136-72731-0 010 $a0-203-81717-6 024 7 $a10.1201/b12355 035 $a(CKB)2550000000105078 035 $a(EBL)967989 035 $a(OCoLC)799763895 035 $a(SSID)ssj0000693631 035 $a(PQKBManifestationID)11368960 035 $a(PQKBTitleCode)TC0000693631 035 $a(PQKBWorkID)10666285 035 $a(PQKB)11640883 035 $a(MiAaPQ)EBC2010049 035 $a(Au-PeEL)EBL2010049 035 $a(CaPaEBR)ebr10579670 035 $a(CaONFJC)MIL531334 035 $a(EXLCZ)992550000000105078 100 $a20180420d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe sustainable use of concrete /$fKoji Sakai, Takafumi Noguchi 210 1$aBoca Raton, Fla. :$cCRC Press,$d2013. 215 $a1 online resource (185 p.) 300 $aDescription based upon print version of record. 311 $a1-138-07588-4 311 $a0-415-66720-8 320 $aIncludes bibliographical references. 327 $aFront Cover; Contents; Preface; Chapter 1 - Introduction; Chapter 2 - Sustainability; Chapter 3 - Sustainability in Concrete and Construction; Chapter 4 - Evaluation Systems of Sustainability; Chapter 5 - Technologies for Concrete Sustainability; Chapter 6 - Sustainable Concrete Technologies: Case Studies; Chapter 7 - Future Perspectives; Back Cover 330 $aPreface The construction industry is very conservative. This can be seen as deriving from the special nature of its work which is creating the social and economic infrastructures required by each particular age in a safe way. Architecture is to some extent ahead of its time in the design of buildings but also reflects the inclinations of clients. In other words, the basic activity of the construction industry has been to reliably translate social needs into material form. Naturally, with the growing sophistication of requirements, construction technology has developed and many breakthroughs have been achieved to make the impossible possible, but this process has also been marked by many failures. The construction industry can be said to have built its technology systems through a process of experience engineering. The construction industry exhibits a high degree of locality. Structures have generally been built by local people using local materials. Globalization has promoted internationalization in the construction industry as elsewhere, but the basics of construction systems have remained unchanged. What makes this possible is the wide use of concrete as a construction material. Its primary component materials are aggregate, cement, and water, with aggregate constituting approximately 70% of the total volume. The Earth's crust is composed of rocks that are the raw materials for aggregate. Water, when seawater is included, is the most commonly available globally circulating substance on Earth. In the case of cement, the raw materials are limestone and clay, both of which are also available in abundance--$cProvided by publisher. 606 $aConcrete 606 $aConcrete construction 606 $aSustainable construction 606 $aConcrete$xEnvironmental aspects 608 $aElectronic books. 615 0$aConcrete. 615 0$aConcrete construction. 615 0$aSustainable construction. 615 0$aConcrete$xEnvironmental aspects. 676 $a624.1/834 700 $aSakai$b K$g(Koji),$0878656 701 $aNoguchi$b Takafumi$0878657 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452822903321 996 $aThe sustainable use of concrete$91961754 997 $aUNINA LEADER 05185nam 2201081Ia 450 001 9910778865003321 005 20230421035527.0 010 $a1-280-49212-0 010 $a9786613587350 010 $a0-520-93515-2 010 $a0-585-17648-5 024 7 $a10.1525/9780520935150 035 $a(CKB)111004366721792 035 $a(EBL)887279 035 $a(OCoLC)45727649 035 $a(SSID)ssj0000105943 035 $a(PQKBManifestationID)11133686 035 $a(PQKBTitleCode)TC0000105943 035 $a(PQKBWorkID)10106177 035 $a(PQKB)11379026 035 $a(MiAaPQ)EBC887279 035 $a(DE-B1597)520357 035 $a(OCoLC)1114831711 035 $a(DE-B1597)9780520935150 035 $a(Au-PeEL)EBL887279 035 $a(CaPaEBR)ebr10552233 035 $a(CaONFJC)MIL358735 035 $a(EXLCZ)99111004366721792 100 $a19970808d1998 ub 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aArt of the gold rush$b[electronic resource] /$fJanice T. Driesbach, Harvey L. Jones, and Katherine Church Holland 210 $aBerkeley, Calif. $cUniversity of California Press$dc1998 215 $a1 online resource (167 p.) 300 $aCatalog of an exhibition held at the Oakland Museum of California, Oakland, Calif., Jan. 24-May 31, 1998; Crocker Art Museum, Sacramento, Calif., June 20-Sept. 13, 1998; National Museum of American Art, Smithsonian Institution, Washington, D.C., Dec. 30, 1998- Mar. 7, 1999. 311 0 $a0-520-21431-5 311 0 $a0-520-21432-3 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIllustrations --$tForeword --$tAcknowledgments --$tLenders to the Exhibition --$tIntroduction --$tFirst in the Field --$tScenes of Mining Life --$tPortrait Painter to the Elite --$tThe Hessian Party --$tSouvenirs of the Mother Lode --$tMining the Picturesque --$tIn the Wake of the Gold Rush --$tSentiment and Nostalgia --$tBiographies of the Artists --$tNotes --$tSelected Bibliography --$tArtists Represented in the Exhibition --$tIndex 330 $aThe California Gold Rush captured the get-rich dreams of people around the world more completely than almost any event in American history. This catalog, published in celebration of the sesquicentennial of the 1848 discovery of gold at Sutter's Mill, shows the vitality of the arts in the Golden State during the latter nineteenth century and documents the dramatic impact of the Gold Rush on the American imagination. Among the throngs of gold-seekers in California were artists, many self-taught, others formally trained, and their arrival produced an outpouring of artistic works that provide insights into Gold Rush events, personages, and attitudes. The best-known painting of the Gold Rush era, C.C. Nahl's Sunday Morning in the Mines (1872), was created nearly two decades after gold fever had subsided. By then the Gold Rush's mythic qualities were well established, and new allegories-particularly the American belief in the rewards of hard work and enterprise-can be seen on Nahl's canvas. Other works added to the image of California as a destination for ambitious dreamers, an image that prevails to this day. In bringing together a range of art and archival material such as artists' diaries and contemporary newspaper articles, The Art of the Gold Rush broadens our understanding of American culture during a memorable period in the nation's history. 606 $aArt, American$zCalifornia$y19th century$vExhibitions 606 $aGold mines and mining in art 607 $aCalifornia$xGold discoveries$vPictorial works$vExhibitions 610 $a1800s. 610 $a19th century. 610 $aacademic. 610 $aambition. 610 $aamerican culture. 610 $aamerican history. 610 $aartistic. 610 $aartists. 610 $acalifornia history. 610 $acalifornia. 610 $acultural history. 610 $acultural studies. 610 $afolk art. 610 $afolklore. 610 $aget rich. 610 $agold rush. 610 $agold. 610 $agolden state. 610 $aimagination. 610 $amyth. 610 $apaintings. 610 $aprospector. 610 $ascholarly. 610 $asocial change. 610 $asocial history. 610 $asocial studies. 610 $asunday morning in the mines. 610 $asutters mill. 610 $athrill seeking. 610 $aunited states history. 610 $aus history. 615 0$aArt, American 615 0$aGold mines and mining in art. 676 $a759.194/07494 700 $aDriesbach$b Janice Tolhurst$01492665 701 $aJones$b Harvey$f1935-$01492666 701 $aHolland$b Katherine Church$01492667 712 02$aOakland Museum. 712 02$aCrocker Art Museum. 712 02$aNational Museum of American Art (U.S.) 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778865003321 996 $aArt of the gold rush$93715290 997 $aUNINA