LEADER 03893nam  2200601Ia 450 
001 9910778728003321
005 20230823231612.0
010   $a1-58729-034-0
035   $a(CKB)111004365704528
035   $a(EBL)836754
035   $a(OCoLC)44960121
035   $a(SSID)ssj0000219834
035   $a(PQKBManifestationID)11192094
035   $a(PQKBTitleCode)TC0000219834
035   $a(PQKBWorkID)10247717
035   $a(PQKB)11557107
035   $a(MiAaPQ)EBC836754
035   $a(MdBmJHUP)muse19451
035   $a(Au-PeEL)EBL836754
035   $a(CaPaEBR)ebr10554412
035   $a(EXLCZ)99111004365704528
100   $a19901210d1991      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 04$aThe performance of power $etheatrical discourse and politics /$fedited by Sue-Ellen Case and Janelle Reinelt
205   $a1st ed.
210  1$aIowa City :$cUniversity of Iowa Press,$d1991.
215   $a1 online resource (xix, 284 pages) $cillustrations
225 1 $aStudies in theatre history and culture
311 0 $a0-87745-318-7 
320   $aIncludes bibliographical references.
327   $aContents; Sue-Ellen Case and Janelle ReineltIntroduction,; Materialist Semiotics; Kim F. Hall: Sexual Politics and Cultural Identity in The Masque of Blackness; Sarah Bryant-Bertail: The Good Soldier Schwejk as Dialectical Theater; David Savran: Revolution . . . History . . . Theater: The Politics of the Wooster Group's Second Trilogy; J. Ellen Gainor: Bernard Shaw and the Drama of Imperialism; Deconstruction; Gregory W. Bredbeck: Constructing Patroclus: The High and Low Discourses of Renaissance Sodomy; Jeffrey D. Mason: The Politics of Metamora
327   $aSue-Ellen Case: The Eurocolonial Reception of Sanskrit Poetics; Revealing Surveillance Strategies; Joseph Roach: The Artificial Eye: Augustan Theater and the Empire of the Visible; Barry B. Witham: The Playhouse and the Committee; Janice Carlisle: Spectacle as Government: Dickens and the Working-Class Audience; Constructing Utopia; Nina Auerbach: Victorian Players and Sages; Spencer Golub: Charlie Chaplin, Soviet Icon; Janelle Reinelt: Theorizing Utopia: Edward Bond's War Plays; The Academic Institution and the Production of Knowledge; Thomas Postlewait: Introduction
327   $aMargaret B. Wilkerson: Demographics and the Academy; Simon Williams: The Challenge to Professional Training and Development; Jon Whitmore: Integrating Instruction, Production, and Research; Gay Gibson Cima: Conferring Power in the Theater; Bruce A. McConachie: New Historicism and American Theater History: Toward an Interdisciplinary Paradigm for Scholarship; Marvin Carlson: The Theory of History; Notes on Contributors
330   $aRecently in the field of theatre studies there has been an increasing  amount of debate and dissonance regarding the borders of its territory,  its methodologies, subject matter, and scholarly perspectives. The  nature of this debate could be termed ""political"" and, in fact, concerns  ""the performance of power""-the struggle over power relations embedded  in texts, methodologies, and the academy itself.This striking new collection of nineteen divergent essays  represents this performance of power and the way in which the recent  convergence of new critical theories with histo
410  0$aStudies in theatre history and culture.
606   $aTheater
606   $aDrama$xHistory and criticism
615  0$aTheater.
615  0$aDrama$xHistory and criticism.
676   $a792
701   $aCase$b Sue-Ellen$0158341
701   $aReinelt$b Janelle G$0175380
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910778728003321
996   $aThe performance of power$93820514
997   $aUNINA