LEADER 03485nam 2200733 a 450 001 9910457059403321 005 20200520144314.0 010 $a0-674-04265-4 024 7 $a10.4159/9780674042650 035 $a(CKB)2550000000017456 035 $a(OCoLC)648279053 035 $a(CaPaEBR)ebrary10402510 035 $a(SSID)ssj0000473133 035 $a(PQKBManifestationID)12187220 035 $a(PQKBTitleCode)TC0000473133 035 $a(PQKBWorkID)10435953 035 $a(PQKB)10787612 035 $a(MiAaPQ)EBC3300846 035 $a(Au-PeEL)EBL3300846 035 $a(CaPaEBR)ebr10402510 035 $a(OCoLC)744545531 035 $a(DE-B1597)574437 035 $a(DE-B1597)9780674042650 035 $a(EXLCZ)992550000000017456 100 $a20100825d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe showman and the slave$b[electronic resource] $erace, death, and memory in Barnum's America /$fBenjamin Reiss 205 $a1st Harvard University Press pbk. ed. 210 $aCambridge, Mass. $cHarvard University Press$d2010 215 $a1 online resource (280 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-674-00636-4 320 $aIncludes bibliographical references (p. [227]-259) and index. 327 $tFrontmatter -- $tCONTENTS -- $tFIGURES -- $tAckrunvZedgments -- $tIntroduction: The Dark Subject -- $t1. DEATH AND DYING -- $t1. Possession -- $t2. The Celebrated Curiosity -- $t3. Private Acts, Public Memories -- $t4. Sacred and Profane -- $t5. Culture Wars -- $t6. Love, Automata, and India Rubber -- $t7. Spectacle -- $tII. RESURRECTION -- $t8. Authenticity and Commodity -- $t9. Exposure and Mastery -- $t10. Erasure -- $tIII. LIFE -- $t11. A Speculative Biography -- $tNote to the 2010 Printing -- $tNotes -- $tIndex 330 $aReiss uses P. T. Barnum's Joice Heth hoax to examine the contours of race relations in the antebellum North. Barnum's first exhibit as a showman, Heth was an elderly enslaved woman said to be the 161-year-old former nurse of the infant George Washington. Seizing upon the novelty, the newly emerging commercial press turned her act--and especially her death--into one of the first media spectacles in American history. 606 $aPopular culture$zUnited States$xHistory$y19th century 606 $aWomen slaves$zUnited States$vBiography 606 $aFreak shows$xSocial aspects$zUnited States$xHistory$y19th century 606 $aWhites$xRace identity$zUnited States 606 $aAfrican Americans in popular culture$xHistory$y19th century 606 $aRacism in popular culture$zUnited States$xHistory$y19th century 606 $aDeath in popular culture$zUnited States$xHistory$y19th century 607 $aNortheastern States$xRace relations 608 $aElectronic books. 615 0$aPopular culture$xHistory 615 0$aWomen slaves 615 0$aFreak shows$xSocial aspects$xHistory 615 0$aWhites$xRace identity 615 0$aAfrican Americans in popular culture$xHistory 615 0$aRacism in popular culture$xHistory 615 0$aDeath in popular culture$xHistory 676 $a306/.0973/09034 700 $aReiss$b Benjamin$0860091 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457059403321 996 $aThe showman and the slave$91919099 997 $aUNINA LEADER 03219oam 2200721Ma 450 001 9910778527003321 005 20211215042320.0 010 $a1-136-99956-6 010 $a1-136-99957-4 010 $a1-282-97408-4 010 $a9786612974083 010 $a0-203-85572-8 024 7 $a10.4324/9780203855720 035 $a(CKB)1000000000821549 035 $a(EBL)460295 035 $a(OCoLC)609845503 035 $a(SSID)ssj0000362151 035 $a(PQKBManifestationID)11304643 035 $a(PQKBTitleCode)TC0000362151 035 $a(PQKBWorkID)10380615 035 $a(PQKB)10788805 035 $a(MiAaPQ)EBC460295 035 $a(Au-PeEL)EBL460295 035 $a(CaPaEBR)ebr10361726 035 $a(CaONFJC)MIL297408 035 $a(OCoLC)647850972 035 $a(OCoLC)647850972 035 $a(OCoLC-P)647850972 035 $a(FlBoTFG)9780203855720 035 $a(EXLCZ)991000000000821549 100 $a19841203d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aJust looking $econsumer culture in Dreiser, Gissing, and Zola /$fRachel Bowlby 210 $aAbingdon, Oxon $cRoutledge$d2010 215 $a1 online resource (131 p.) 225 1 $aRoutledge revivals 300 $aFirst published in 1985 by Methuen & Co. Ltd. 311 $a0-415-57315-7 311 $a0-415-57279-7 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Title01; Copyright01; Title02; Copyright02; Contents; Illustrations; Acknowledgments; A note on texts and translations; Epigraph; 1 Introduction; 2 Commerce and femininity; 3 Making up women: Gissing's; 4 Starring: Dreiser's Sister Carrie; 5 "Traffic in her desires": Zola's; 6 Culture and the book business; 7 Making it: Gissing's; 8 The artist as adman: Dreiser's; 9 Working: Zola's; Postscript; Notes; Short bibliography of secondary works; Index 330 $aThe spectacular development of early consumer society in Britain, France and the United States had a profound impact on constructions of femininity and masculinity, and commercial and cultural values in the late nineteenth and early twentieth centuries. Focusing on novels by Theodore Dreiser, George Gissing and Emile Zola, Just Looking, first published in 1985, addresses itself to a central paradox of the period: the perceived antithesis of the terms ""commerce"" and ""culture"" which emerged at a time which saw the actual drawing together of commercial and cultural practices.< 410 0$aRoutledge revivals. 606 $aFiction$y19th century$xHistory and criticism 606 $aFiction$y20th century$xHistory and criticism 606 $aNaturalism in literature 606 $aConsumption (Economics) in literature 615 0$aFiction$xHistory and criticism. 615 0$aFiction$xHistory and criticism. 615 0$aNaturalism in literature. 615 0$aConsumption (Economics) in literature. 676 $a809.39355 700 $aBowlby$b Rachel$f1957-$0166107 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910778527003321 996 $aJust looking$91339604 997 $aUNINA