LEADER 04495oam 2200745 a 450 001 9910778518203321 005 20231030172455.0 010 $a1-282-39976-4 010 $a9786612399763 010 $a90-474-4362-4 035 $a(CKB)1000000000821679 035 $a(EBL)467725 035 $a(OCoLC)607807020 035 $a(SSID)ssj0000341361 035 $a(PQKBManifestationID)11280030 035 $a(PQKBTitleCode)TC0000341361 035 $a(PQKBWorkID)10389290 035 $a(PQKB)11114094 035 $a(MiAaPQ)EBC467725 035 $a(OCoLC)232656679 035 $a(nllekb)BRILL9789047443629 035 $a(Au-PeEL)EBL467725 035 $a(CaPaEBR)ebr10363900 035 $a(CaONFJC)MIL239976 035 $a(PPN)170413616 035 $a(EXLCZ)991000000000821679 100 $a20080620d2008 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPerforming "nation" $egender politics in literature, theater, and the visual arts of China and Japan, 1880-1940 /$fedited by Doris Croissant, Catherine Vance Yeh, Joshua S. Mostow 210 1$aLeiden ;$aBoston :$cBrill,$d2008. 215 $a1 online resource (xv, 445 pages) $cillustrations 225 1 $aSinica Leidensia,$x0169-9563 300 $aDescription based upon print version of record. 311 0 $a90-04-17019-7 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rD. Croissant , C. Yeh and J.S. Mostow --$tIntroduction /$rD. Croissant , C. Yeh and J.S. Mostow --$tEquality, modernity, and gender in Chinese nationalism /$rJohn Fitzgerald --$tBanknote design as a battlefield of gender politics and national representation in Meiji Japan /$rMelanie Trede --$tThe culturally contested student body: Nü Xuesheng at the turn of the twentieth century /$rJoan Judge --$tLove martyrs and love cheaters at the end of the Chinese Empire /$rKeith Mcmahon --$tGender and formation of the modern literary field in Japan: Women and the position of the novel, 1880's-1930's /$rTomi Suzuki --$tFailed modern girls in early-twentieth-century China /$rTze-Lan D. Sang --$tPolitics, art, and eroticism: The female impersonator as the national cultural symbol of republican China /$rCatherine Vance Yeh --$tTwo actresses in three acts: Gender, theater, and nationalism in modern Japan /$rAyako Kano --$tFrom Madonna to Femme Fatale: Gender play in Japanese national painting /$rDoris Croissant --$tNationally naked? The female nude in Japanese oil painting and posters (1890's-1920's) /$rJaqueline Berndt --$tThe allure of a ?woman in Chinese dress?: Representation of the other in Imperial Japan /$rIkeda Shinobu --$tUtagawa Shunga, Kuki?s ?chic,? and the construction of a national erotics in Japan /$rJoshua S. Mostow --$tContributors /$rD. Croissant , C. Yeh and J.S. Mostow --$tIndex /$rD. Croissant , C. Yeh and J.S. Mostow --$tSinica Leidensia /$rD. Croissant , C. Yeh and J.S. Mostow. 330 $aUniquely covering literary, visual and performative expressions of culture, this volume aims to correlate the conjunctions of nation building, gender and representation in late 19th and early 20th century China and Japan. Focusing on gender formation, the chapters explore the changing constructs of masculinities and femininities in China and Japan from the early modern up to the 1930's. Chapters focus on the dynamism that links the remodeling of traditional arts and media to the political and cultural power relations between China, Japan, and the Western world. A true tribute to multidisciplinary studies. 410 0$aSinica Leidensia ;$v91. 606 $aArts, Chinese$y19th century 606 $aArts, Chinese$y20th century 606 $aArts, Japanese$y19th century 606 $aArts, Japanese$y20th century 606 $aFemininity in art 606 $aMasculinity in art 615 0$aArts, Chinese 615 0$aArts, Chinese 615 0$aArts, Japanese 615 0$aArts, Japanese 615 0$aFemininity in art. 615 0$aMasculinity in art. 676 $a700.951/09034 701 $aCroissant$b Doris$01582421 701 $aYeh$b Catherine Vance$01582422 701 $aMostow$b Joshua S.$f1957-$0644550 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778518203321 996 $aPerforming "nation"$93864780 997 $aUNINA