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100   $a20070814d2007      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aCinematic identity$b[electronic resource] $eanatomy of a problem film /$fCindy Patton
210   $aMinneapolis, Minn. $cUniversity of Minnesota Press ;$a[Bristol $cUniversity Presses Marketing, distributor]$dc2007
215   $a1 online resource (200 p.)
225 1 $aTheory out of bounds ;$vv. 29
300   $aDescription based upon print version of record.
311   $a0-8166-3412-2 
311   $a0-8166-3411-4 
320   $aIncludes bibliographical references and index.
327   $aCONTENTS; ACKNOWLEDGMENTS; 1. American Celluloid: New Medium, New Citizen; 2. In the Hearts of Men; 3. Censorship and the Problem Films; 4. Acting Up: The Performing American; 5. Two Conversations: Black and White Americans on Film; APPENDIX. PINKY: A SYNOPSIS; NOTES; REFERENCES; FILMOGRAPHY; INDEX
330   $aCindy Patton takes Pinky as a starting point to meditate on the critical reception of this and other O?problem filmsO? and to explore the larger issues they raise about race, gender, and sexuality. Patton historicizes O?problem filmsO? and the arrival of Method acting in Hollywood, and in doing so offers new perspectives on identity politics, from feminism to the gay rights movement.
410  0$aTheory out of bounds ;$vv. 29.
606   $aMinorities in motion pictures
606   $aMotion pictures$zUnited States
606   $aSocial problems in motion pictures
615  0$aMinorities in motion pictures.
615  0$aMotion pictures
615  0$aSocial problems in motion pictures.
676   $a791.4365560973
700   $aPatton$b Cindy$f1956-$01557772
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910778342303321
996   $aCinematic identity$93821644
997   $aUNINA