LEADER 02001nam 2200541Ia 450 001 9910778235003321 005 20200520144314.0 010 $a1-57366-800-1 035 $a(CKB)1000000000483488 035 $a(EBL)438188 035 $a(OCoLC)648357064 035 $a(SSID)ssj0000269155 035 $a(PQKBManifestationID)11208380 035 $a(PQKBTitleCode)TC0000269155 035 $a(PQKBWorkID)10247533 035 $a(PQKB)10841776 035 $a(MdBmJHUP)muse38510 035 $a(Au-PeEL)EBL438188 035 $a(CaPaEBR)ebr10218370 035 $a(MiAaPQ)EBC438188 035 $a(EXLCZ)991000000000483488 100 $a20060911d2007 ub 1 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWas$b[electronic resource] /$fMichael Joyce 205 $a1st ed. 210 $aTuscaloosa [Ala.] $cFC2$dc2007 215 $a1 online resource (149 p.) 300 $aDescription based upon print version of record. 311 $a1-57366-137-6 330 $aA post-cyber "Pilgrim's Progress. Was is half-poem, half-narrative, a nomadic history whose main character is the fleetingness of information itself. The novel's title figure, the word was, marks that instant of utterance outside the present; neither past nor future but rather the interstitial space of any telling. Like Ariel in flight, Was takes place before you can say 'come' and 'go,'"" slipping away before you can ""breath twice and cry 'so, so."" The nomadic lovers here, as any lovers, attempt to linger in the afterglow of what was, but it slips 606 $aAmerican fiction 606 $aAmerican literature 615 0$aAmerican fiction. 615 0$aAmerican literature. 676 $a813.6 676 $a813/.6 700 $aJoyce$b Michael$f1945-$0627120 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778235003321 996 $aWas$93796293 997 $aUNINA