LEADER 03621nam 2200745 a 450 001 9910778212303321 005 20230721022740.0 010 $a0-8214-4292-9 035 $a(CKB)1000000000793236 035 $a(EBL)1753405 035 $a(OCoLC)471133656 035 $a(SSID)ssj0000278048 035 $a(PQKBManifestationID)11209216 035 $a(PQKBTitleCode)TC0000278048 035 $a(PQKBWorkID)10246116 035 $a(PQKB)10067104 035 $a(MiAaPQ)EBC1753405 035 $a(MdBmJHUP)muse9453 035 $a(Au-PeEL)EBL1753405 035 $a(CaPaEBR)ebr10276629 035 $a(EXLCZ)991000000000793236 100 $a20071221d2008 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCome buy, come buy$b[electronic resource] $eshopping and the culture of consumption in Victorian women's writing /$fKrista Lysack 210 $aAthens $cOhio University Press$dc2008 215 $a1 online resource (238 p.) 300 $aDescription based upon print version of record. 311 $a0-8214-1811-4 311 $a0-8214-1810-6 320 $aIncludes bibliographical references (p. 217-230) and index. 327 $aIntroduction: danger, delight, and Victorian women's shopping -- Goblin markets: women shoppers and the East in London's West End -- Lady Audley's shopping disorders -- Middlemarch and the extravagant domestic spender: managing an epic life -- To those who love them best: the erotics of connoisseurship in Michael Field's Sight and song -- Votes for women and the tactics of consumption -- Afterword: Becoming Elizabeth Dalloway: the future of shopping. 330 $aFrom the 1860's through the early twentieth century, Great Britain saw the rise of the department store and the institutionalization of a gendered sphere of consumption. Come Buy, Come Buy considers representations of the female shopper in British women's writing and demonstrates how women's shopping practices are materialized as forms of narrative, poetic, and cultural inscription, showing how women writers emphasize consumerism as productive of pleasure rather than the condition of seduction or loss. Krista Lysack examines works by Christina Rossetti, Mary Elizabeth Braddon, George Eliot, 606 $aConsumption (Economics) in literature 606 $aEnglish literature$y19th century$xHistory and criticism 606 $aEnglish literature$xWomen authors$xHistory and criticism 606 $aWomen consumers in literature 606 $aShopping in literature 606 $aFemininity in literature 606 $aIdentity (Psychology) in literature 606 $aWomen consumers$zGreat Britain$xHistory$y19th century 606 $aShopping$zGreat Britain$xHistory$y19th century 606 $aConsumption (Economics)$zGreat Britain$xHistory$y19th century 615 0$aConsumption (Economics) in literature. 615 0$aEnglish literature$xHistory and criticism. 615 0$aEnglish literature$xWomen authors$xHistory and criticism. 615 0$aWomen consumers in literature. 615 0$aShopping in literature. 615 0$aFemininity in literature. 615 0$aIdentity (Psychology) in literature. 615 0$aWomen consumers$xHistory 615 0$aShopping$xHistory 615 0$aConsumption (Economics)$xHistory 676 $a820.9/3553 700 $aLysack$b Krista$01580457 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778212303321 996 $aCome buy, come buy$93861387 997 $aUNINA LEADER 02429nam 2200457 450 001 9910815420803321 005 20230803202845.0 010 $a1-78319-610-6 035 $a(CKB)3710000000123923 035 $a(EBL)1672796 035 $a(MiAaPQ)EBC5282801 035 $a(MiAaPQ)EBC1672796 035 $a(Au-PeEL)EBL1672796 035 $a(OCoLC)881165305 035 $a(EXLCZ)993710000000123923 100 $a20180927d2014 uy d 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAmygdala /$fGeraldine Alexander 210 1$aLondon :$cOberon Books,$d2014. 215 $a1 online resource (114 p.) 225 1 $aOberon modern plays 300 $aDescription based upon print version of record. 311 $a1-78319-111-2 327 $aCover; Half-title Page; Title Page; Copyright; Contents; Character; Prologue; Scene 1. Day 1. Present Prison.; Scene 2. Day 2. Present Clinic.; Scene 3. Day 3. In The Present Prison; Scene 4. Day 4. Present Clinic.; Scene 5. Day 5. Present Prison.; Scene 6. Day 6. Present Clinic And Prison.; Scene 7. Day 7. Present Prison.; Scene 8. Present Day 8. The Clinic.; Scene 9. Day 9. Present The Prison.; Scene 10. Present Day 10. Clinic.; Scene 11. Present Day 11. Prison.; Scene 12. Day 12. Present The Trial - The Court, The Clinic, Prison.; Scene 13. Day 13. Present.; Scene 14. Day 14. Present. 330 $a 'There is a place in the hippocampus the size of an almond called the amygdale in which is stored our emotional memory. Anything in our history that is a stimulus to our emotions resides there... The kernel of Catherine is there for the picking - I am searching for the correct tool like at Christmas when the nutcrackers have been misplaced. A hammer will shatter it.' Catherine is in a post-traumatic state and Simon, an eminent psychiatrist, is employed to help her recover her memory in time to give evidence in the trial of Joshua James - a young man accused of raping her. As the 410 0$aOberon modern plays. 606 $aPost-traumatic stress disorder$vDrama 615 0$aPost-traumatic stress disorder 676 $a616.8521 700 $aAlexander$b Geraldine$01639030 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815420803321 996 $aAmygdala$93981763 997 $aUNINA