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200 1 $aPrimärfarben und Farbharmonie$eFarbe in der französischen Naturwissenschaft, Kunstliteratur und Malerei des 18. Jahrhunderts$fUlrike Boskamp
210   $aWeimar$cVDG$d2009
215   $a317 p., 3-37$cill.$d25 cm
300   $aBibliogr. p. 285-311
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610   $aPittura$aFrancia$aSec. 18.$aTemi
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200 00$aPraising it new$b[electronic resource] $ethe best of the New Criticism /$fedited by Garrick Davis ; foreword by William Logan
210   $aAthens, Ohio $cSwallow Press/Ohio University Press$dc2008
215   $a1 online resource (360 p.)
300   $aAnthology of New Criticism, edited with an introduction, notes, biographies, and selected bibliographies.
311   $a0-8040-1108-7 
320   $aIncludes bibliographical references.
327   $a""CONTENTS""; ""FOREWORD""; ""ACKNOWLEDGMENTS""; ""A NOTE ON THE EDITOR'S METHOD OF SELECTION""; ""INTRODUCTION: The Golden Age of Poetry Criticism""; ""Part 1: Where to Begin?""; ""THE IDEAL APPROACH TO CRITICISM""; ""THE NEW SYLLABUS""; ""AGAINST THE HISTORICAL METHOD""; ""TEACHING LITERARY CRITICISM""; ""Part 2: The New Criticism""; ""FIRST PRINCIPLES""; ""AGAINST THE FALLACIES""; ""THE PURITY OF POETRY""; ""THE OBJECTIVE CORRELATIVE""; ""THE DISSOCIATION OF SENSIBILITY""; ""CLOSE READING""; ""Part 3: Techniques and Truths""; ""BREAKING THE PENTAMETER""; ""MAKING IT NEW""
327   $a""POETRY AS A MORAL DISCIPLINE""""Part 4: Appraising Poets and Periods""; ""THE CORRECTION OF TASTE""; ""CODA""; ""APPENDIX""; ""SOURCE CREDITS""
606   $aNew Criticism$zUnited States
606   $aAmerican poetry$xHistory and criticism$xTheory, etc
606   $aEnglish poetry$xHistory and criticism$xTheory, etc
615  0$aNew Criticism
615  0$aAmerican poetry$xHistory and criticism$xTheory, etc.
615  0$aEnglish poetry$xHistory and criticism$xTheory, etc.
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