LEADER 04110nam 22008654a 450 001 9910778129203321 005 20200520144314.0 010 $a0-8147-7689-2 010 $a0-8147-6908-X 010 $a1-4356-0043-6 024 7 $a10.18574/nyu/9780814769089 035 $a(CKB)1000000000476561 035 $a(OCoLC)568022337 035 $a(CaPaEBR)ebrary10170582 035 $a(SSID)ssj0000176827 035 $a(PQKBManifestationID)11153817 035 $a(PQKBTitleCode)TC0000176827 035 $a(PQKBWorkID)10225624 035 $a(PQKB)10099766 035 $a(OCoLC)173511775 035 $a(MdBmJHUP)muse10474 035 $a(Au-PeEL)EBL866197 035 $a(CaPaEBR)ebr10170582 035 $a(OCoLC)780425959 035 $a(DE-B1597)547981 035 $a(DE-B1597)9780814769089 035 $a(MiAaPQ)EBC866197 035 $a(EXLCZ)991000000000476561 100 $a20060531d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aImmigration and American popular culture$b[electronic resource] $ean introduction /$fRachel Rubin and Jeffrey Melnick 210 $aNew York $cNew York University Press$dc2007 215 $a1 online resource (313 p.) 225 1 $aNation of newcomers 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8147-7552-7 311 $a0-8147-7553-5 320 $aIncludes bibliographical references (p. 267-284) and index. 327 $aHollywood, 1930 : Jewish gangster masquerade -- Los Angeles, 1943 : zoot suit style, immigrant politics -- Broadway, 1957 : West Side Story and the Nuyorican blues -- Monterey, 1967 : the hippies meet Ravi Shankar -- South Bronx, 1977 : Jamaican migrants, born Jamericans, and global music -- Cyberspace, y2k : giant robots, Asian punks -- Afterword : Chelsea, 2006 ; wandering popular culture. 330 $aHow does a 'national' popular culture form and grow over time in a nation comprised of immigrants? How have immigrants used popular culture in America, and how has it used them?Immigration and American Popular Culture looks at the relationship between American immigrants and the popular culture industry in the twentieth century. Through a series of case studies, Rachel Rubin and Jeffrey Melnick uncover how specific trends in popular culture-such as portrayals of European immigrants as gangsters in 1930s cinema, the zoot suits of the 1940s, the influence of Jamaican Americans on rap in the 1970s, and cyberpunk and Asian American zines in the1990s-have their roots in the complex socio-political nature of immigration in America.Supplemented by a timeline of key events and extensive suggestions for further reading, Immigration and American Popular Culture offers at once a unique history of twentieth century U.S. immigration and an essential introduction to the major approaches to the study of popular culture. Melnick and Rubin go further to demonstrate how completely and complexly the processes of immigration and cultural production have been intertwined, and how we cannot understand one without the other. 410 0$aNation of newcomers. 606 $aImmigrants$xCultural assimilation 606 $aPopular culture$zUnited States 607 $aUnited States$xEthnic relations 610 $aAmerican. 610 $aImmigration. 610 $abetween. 610 $acase. 610 $acentury. 610 $aculture. 610 $aimmigrants. 610 $aindustry. 610 $alooks. 610 $apopular. 610 $arelationship. 610 $aseries. 610 $astudies. 610 $athrough. 610 $atwentieth. 615 0$aImmigrants$xCultural assimilation. 615 0$aPopular culture 676 $a304.8/73 700 $aRubin$b Rachel$f1964-$01386964 701 $aMelnick$b Jeffrey Paul$01496836 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778129203321 996 $aImmigration and American popular culture$93843718 997 $aUNINA