LEADER 00890nam0-22002651i-450- 001 990004607510403321 005 19990530 035 $a000460751 035 $aFED01000460751 035 $a(Aleph)000460751FED01 035 $a000460751 100 $a19990530d1978----km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $aTragedia antica e musica d'oggi$eLa musica nelle rappresentazioni moderne dei tragici greci in Italia$eelenco cronologico delle principali rappresentazioni tragiche dal 1904 al 1977 in Italia$fMario Pintacuda 210 $aCefalu'$cLorenzo Misuraca Ed.$d1978 215 $a62 p.$d22 cm 700 1$aPintacuda,$bMario$0182848 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004607510403321 952 $aII 33$bBIBL.51511$fFLFBC 959 $aFLFBC 996 $aTragedia antica e musica d'oggi$9551380 997 $aUNINA LEADER 01215nam--2200361---450- 001 990003033680203316 005 20071213160412.0 035 $a000303368 035 $aUSA01000303368 035 $a(ALEPH)000303368USA01 035 $a000303368 100 $a20071213d1980----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aCataloghi delle mostre di arte italiana dal 6. al 17. secolo in Italia e all'estero dal 1930 al 1945 /$fJoselita Raspi Serra 210 $aSalerno$cP. Laveglia$d1980 215 $a156 p.$d17 cm 225 2 $aPiccola biblioteca Laveglia$iSaggi$v18-19 410 0$12001$aPiccola biblioteca Laveglia$iSaggi$v18-19 454 1$12001 461 1$1001-------$12001 606 0 $aArte Italiana$zSec. 6.-17.$xCataloghi$xEsposizioni$z1930-1945 676 $a016.70945074 700 1$aRASPI SERRA,$bJoselita$037181 801 0$aIT$bsalbc$gISBD 912 $a990003033680203316 951 $aV C RASP 1$b1489 DBC$cV C 959 $aBK 969 $aDBC 979 $aDBC$b90$c20071213$lUSA01$h1604 996 $aCataloghi delle mostre di arte italiana dal 6. al 17. secolo in Italia e all'estero dal 1930 al 1945$91026080 997 $aUNISA LEADER 03829nam 22006493u 450 001 9910778127203321 005 20230721031612.0 010 $a0-8135-4263-4 035 $a(CKB)1000000000476869 035 $a(EBL)316413 035 $a(OCoLC)476107133 035 $a(SSID)ssj0000194093 035 $a(PQKBManifestationID)11197900 035 $a(PQKBTitleCode)TC0000194093 035 $a(PQKBWorkID)10231422 035 $a(PQKB)10894605 035 $a(MiAaPQ)EBC316413 035 $a(EXLCZ)991000000000476869 100 $a20130418d2007|||| u|| | 101 0 $aeng 181 $ctxt 182 $cc 183 $acr 200 12$aA Long Way from Home$b[electronic resource] 210 $aPiscataway $cRutgers University Press$d2007 215 $a1 online resource (312 p.) 225 1 $aMELA (Multi-ethnic Literatures of the Americas) 300 $aDescription based upon print version of record. 311 $a0-8135-3967-6 327 $aContents; Acknowledgments; Chronology; Introduction; A Note on the Text; A Long Way from Home; Contents; Part One: American Beginning; Chapter 1: A Great Editor; Chapter 2: Other Editors; Chapter 3: White Friends; Chapter 4: Another White Friend; Part Two: English Inning; Chapter 5: Adventuring in Search of George Bernard Shaw; Chapter 6: Pugilist vs. Poet; Chapter 7: A Job in London; Chapter 8: Regarding Reactionary Criticism; Part Three: New York Horizon; Chapter 9: Back in Harlem; Chapter 10: A Brown Dove Cooing; Chapter 11: A Look at H. G.Wells; Chapter 12: "He Who Gets Slapped" 327 $aChapter 13: "Harlem Shadows"Part Four: The Magic Pilgrimage; Chapter 14: The Dominant Urge; Chapter 15: An Individual Triumph; Chapter 16: The Pride and Pomp of Proletarian Power; Chapter 17: Literary Interest; Chapter 18: Social Interest; Chapter 19: A Great Celebration; Chapter 20: Regarding Radical Criticism; Part Five: The Cynical Continent; Chapter 21: Berlin and Paris; Chapter 22: Friends in France; Chapter 23: Frank Harris in France; Chapter 24: Cinema Studio; Chapter 25: Marseilles Motley; Part Six: The Idylls of Africa; Chapter 26: When a Negro Goes Native 327 $aChapter 27: The New Negro in ParisChapter 28: Hail and Farewell to Morocco; Chapter 29: On Belonging to a Minority Group; About the Editor 330 $aClaude McKay (1889-1948) was one of the most prolific and sophisticated African American writers of the early twentieth century. A Jamaican-born author of poetry, short stories, novels, and nonfiction, McKay has often been associated with the "New Negro" or Harlem Renaissance, a movement of African American art, culture, and intellectualism between World War I and the Great Depression. But his relationship to the movement was complex. Literally absent from Harlem during that period, he devoted most of his time to traveling through Europe, Russia, and Africa during the 1920's and 1930's. 410 0$aMELA (Multi-ethnic Literatures of the Americas) 606 $aMcKay, Claude 606 $aAuthors, American$xIntellectual life$y20th century$vBiography 606 $aAuthors, Jamaican$y20th century$vBiography 606 $aJamaican Americans$vBiography 606 $aAfrican American authors$vBiography 606 $aJamaican Americans 615 4$aMcKay, Claude. 615 0$aAuthors, American$xIntellectual life 615 0$aAuthors, Jamaican 615 0$aJamaican Americans 615 0$aAfrican American authors 615 0$aJamaican Americans 676 $a813.52 676 $a818/.5209 B 700 $aMcKay$b Claude$f1890-1948$01000104 701 $aJarrett$b Gene Andrew$01480475 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910778127203321 996 $aA Long Way from Home$93770645 997 $aUNINA