LEADER 02089nam 2200601 a 450 001 9910778124503321 005 20220527205330.0 010 $a1-281-09210-X 010 $a9786611092108 010 $a0-8032-0996-7 035 $a(CKB)1000000000476908 035 $a(EBL)313341 035 $a(OCoLC)476102255 035 $a(SSID)ssj0000267610 035 $a(PQKBManifestationID)11200893 035 $a(PQKBTitleCode)TC0000267610 035 $a(PQKBWorkID)10208746 035 $a(PQKB)10088368 035 $a(OCoLC)182556257 035 $a(MdBmJHUP)muse11824 035 $a(Au-PeEL)EBL313341 035 $a(CaPaEBR)ebr10202586 035 $a(CaONFJC)MIL109210 035 $a(MiAaPQ)EBC313341 035 $a(EXLCZ)991000000000476908 100 $a20061227d2007 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aViolent affect$b[electronic resource] $eliterature, cinema, and critique after representation /$fMarco Abel 210 $aLincoln $cUniversity of Nebraska Press$dc2007 215 $a1 online resource (313 p.) 300 $aDescription based upon print version of record. 311 $a0-8032-1118-X 320 $aIncludes bibliographical references (p. [257]-273) and index. 330 $aCountering previous studies of violent images based on representational and, consequently, moralistic assumptions, which, the author argues, inevitably reinforce the very violence they critique. He explains how violent images work upon the world. 606 $aAmerican fiction$y20th century$xHistory and criticism 606 $aViolence in literature 606 $aViolence in motion pictures 615 0$aAmerican fiction$xHistory and criticism. 615 0$aViolence in literature. 615 0$aViolence in motion pictures. 676 $a813/.509355 700 $aAbel$b Marco$01527621 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778124503321 996 $aViolent affect$93770623 997 $aUNINA