LEADER 03704nam 2200697 a 450 001 9910778087303321 005 20230721021715.0 010 $a1-282-35162-1 010 $a0-300-15624-3 010 $a9786612351624 010 $a1-282-08876-9 010 $a9786612088766 024 7 $a10.12987/9780300156249 035 $a(CKB)1000000000764799 035 $a(StDuBDS)AH23050103 035 $a(SSID)ssj0000220845 035 $a(PQKBManifestationID)11187531 035 $a(PQKBTitleCode)TC0000220845 035 $a(PQKBWorkID)10157410 035 $a(PQKB)10162601 035 $a(MiAaPQ)EBC3420525 035 $a(DE-B1597)486375 035 $a(OCoLC)666928547 035 $a(DE-B1597)9780300156249 035 $a(MiAaPQ)EBC5292504 035 $a(Au-PeEL)EBL3420525 035 $a(CaPaEBR)ebr10348419 035 $a(CaONFJC)MIL235162 035 $a(OCoLC)923594196 035 $a(Au-PeEL)EBL5292504 035 $a(CaONFJC)MIL208876 035 $a(OCoLC)1028941194 035 $a(EXLCZ)991000000000764799 100 $a20080610d2009 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe philosophers' quarrel$b[electronic resource] $eRousseau, Hume, and the limits of human understanding /$fRobert Zaretsky, John T. Scott 210 $aNew Haven [Conn.] $cYale University Press$dc2009 215 $a1 online resource (264 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-300-12193-8 320 $aIncludes bibliographical references (p. [211]-238) and index. 327 $aAn enlightenment quarrel -- The wild philosopher -- The Great Scot -- The Lord of Ferney -- Le Bon David -- A stone's throw from Paris -- First impressions -- A public spectacle -- Poses and impostures -- Hume, Judge of Le Bon David -- An enlightenment tragedy -- So great a noise -- How philosophers die. 330 $aThe rise and spectacular fall of the friendship between the two great philosophers of the eighteenth century, barely six months after they first met, reverberated on both sides of the Channel. As the relationship between Jean-Jacques Rousseau and David Hume unraveled, a volley of rancorous letters was fired off, then quickly published and devoured by aristocrats, intellectuals, and common readers alike. Everyone took sides in this momentous dispute between the greatest of Enlightenment thinkers.In this lively and revealing book, Robert Zaretsky and John T. Scott explore the unfolding rift between Rousseau and Hume. The authors are particularly fascinated by the connection between the thinkers' lives and thought, especially the way that the failure of each to understand the other-and himself-illuminates the limits of human understanding. In addition, they situate the philosophers' quarrel in the social, political, and intellectual milieu that informed their actions, as well as the actions of the other participants in the dispute, such as James Boswell, Adam Smith, and Voltaire. By examining the conflict through the prism of each philosopher's contribution to Western thought, Zaretsky and Scott reveal the implications for the two men as individuals and philosophers as well as for the contemporary world. 606 $aEnlightenment 615 0$aEnlightenment. 676 $a192 686 $a08.24$2bcl 700 $aZaretsky$b Robert$f1955-$01245043 701 $aScott$b John T.$f1963-$0116320 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778087303321 996 $aThe philosophers' quarrel$93827762 997 $aUNINA 999 $p$23.80$u05/02/2016$5Relig LEADER 06560nam 22006375 450 001 9910911299803321 005 20251116153541.0 010 $a9783031673108 010 $a3031673107 024 7 $a10.1007/978-3-031-67310-8 035 $a(CKB)36702089500041 035 $a(MiAaPQ)EBC31850523 035 $a(Au-PeEL)EBL31850523 035 $a(DE-He213)978-3-031-67310-8 035 $a(OCoLC)1481801491 035 $a(EXLCZ)9936702089500041 100 $a20241130d2025 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aItalian Contemporary Screen Performers $eTraining, Production, Prestige /$fedited by Luca Barra, Cristina Formenti, Mariapaola Pierini, Francesco Pitassio 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2025. 215 $a1 online resource (304 pages) 225 1 $aLiterature, Cultural and Media Studies 311 08$a9783031673092 311 08$a3031673093 327 $a1. Introduction. Working Stars -- 2. Introduction to Section I -- 3. Antonio Albanese. Drama, Comedy, and Everything in Between -- 4. Luca Argentero. The Charm of Understatement -- 5. Marco Giallini. ?I Had a Hundred Jobs!? What His Story Tells Us About Career Development in the Cultural Industries -- 6. Luca Marinelli. ?You Have to Learn to Trust Your Own Face? -- 7. Benedetta Porcaroli. Don?t Call Me Baby -- 8. Alba Rohrwacher. An Unconventional Actress with an Academic Training -- 9. Toni Servillo. An Actor ?Fallen? into Cinema -- 10. Mirella Bordoni. Teaching Acting with the ?Costa Method? -- 11. Tatiana Lepore. From Creative Mediation to Functionality. The Role of the Acting Coach in Italy -- 12. Introduction to Section II -- 13. Giuseppe Battiston. Enough with the Latin Lover -- 14. Silvia Calderoni. A Techno-Heart Athlete -- 15. Coco Rebecca Edogamhe. A Very Ordinary Girl -- 16. Pierfrancesco Favino. Italianness, Masculinity, and Performance of a Popular Antidivo -- 17. Sabrina Ferilli. A Star Reborn. Negotiating Sexuality, Femininity, and Ageing through Authenticity -- 18. Valeria Golino. Transnational and Global Italianness -- 19. Caterina Murino. Global Ambitions, Italian Roots -- 20. Jasmine Trinca. The Smiling Girl Goes #MeToo -- 21. Laura Muccino and Sara Casani. Casting and Crafting Italian TV Stardom -- 22. Beppe Caschetto. How a Talent Agent Can Build a Film and Television Performer -- 23. Introduction to Section III -- 24. Monica Bellucci. Internationalising Italian Beauty -- 25. Alessandro Borghi. (Reluctant) Celebrity, (Self-)promotion, and Social Networks -- 26. Margherita Buy. Accounting the Career of an Ageing (Anti-)Diva -- 27. Paola Cortellesi. Artistic Versatility, Gender Equality, and the Use of Promotional Interviews in the (Re-)Negotiation of a Star?s Image -- 28. Matilda De Angelis. Naked Ambition -- 29. Elio Germano. Not Just an Actor -- 30. Riccardo Scamarcio. The Transference of Energy and the Enigmas of Intimacy -- 31. Greta Scarano. A Versatile Contemporary Celebrity -- 32. Checco Zalone. Popular Performance, Italian Masculinity, and Transmedia Promotion -- 33. Alberto Barbera. Enhancing Italian Actors and Actresses through Film Festivals. 330 $a?Looking beyond the finished product of the actor?s performance, this essential collection illuminates the work of screen acting. Presenting a diverse range of case studies, chapters provide valuable insights into the formation of career pathways, the roles played by assorted intermediaries in managing actor, and the uses of various media outlets to generate promotional exposure.? ? Paul McDonald, King?s College, UK ?This book offers fascinating explorations of actors? trajectories, including the ways they manage their age and their aging and how they broker off-screen activities, making this an especially useful and rich resource in Italian screen studies.? ? Ellen Nerenberg, Wesleyan University, USA ?This volume magnificently expands the geographical and media reach of star studies, demonstrating the ways in which contemporary, non-Hollywood stardom is and is not appropriately understood through the established paradigms. Furthermore, star studies have long been bedevilled by an emphasis on the star image at the expense of the work that goes into producing such images. Here the volume is triumphant, brilliantly covering all bases.? ? Richard Dyer, King?s College, UK This open access book brings together performance studies, celebrity studies, and media production studies, and it offers a comprehensive understanding of the multi-layered condition of film and television performers within the contemporary Italian screen media landscape. By focusing on a selection of stars who reached success from 2000 onwards, the collection highlights how the renewal of the Italian media industry in the late 1990s impacted different aspects of Italian screen performers? professional lives, from training to promotion and validation strategies. Luca Barra is Professor of Television and Media Studies at the Department of the Arts, Università di Bologna, Bologna, Italy Cristina Formenti is Lecturer in Film Studies at the Department of Arts, Culture and Media, University of Groningen, Groningen, The Netherlands Mariapaola Pierini is Professor of Film Studies at the Department of Humanities, Università degli Studi di Torino, Torino, Italy Francesco Pitassio is Professor of Film Studies at the Department of Humanities and Cultural Heritage, Università degli Studi di Udine, Udine, Italy. 410 0$aLiterature, Cultural and Media Studies 606 $aMotion picture plays, European 606 $aMotion picture acting 606 $aCelebrities 606 $aEuropean Film and TV 606 $aScreen Performance 606 $aCelebrity Studies 615 0$aMotion picture plays, European. 615 0$aMotion picture acting. 615 0$aCelebrities. 615 14$aEuropean Film and TV. 615 24$aScreen Performance. 615 24$aCelebrity Studies. 676 $a791.430280945 700 $aBarra$b Luca$0612324 701 $aFormenti$b Cristina$01023425 701 $aPierini$b Mariapaola$0593268 701 $aPitassio$b Francesco$0749738 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910911299803321 996 $aItalian Contemporary Screen Performers$94303878 997 $aUNINA