LEADER 04759nam 2200949Ia 450 001 9910778080103321 005 20230721021749.0 010 $a1-282-35903-7 010 $a9786612359033 010 $a0-520-93279-X 024 7 $a10.1525/9780520932791 035 $a(CKB)1000000000765498 035 $a(EBL)470845 035 $a(OCoLC)609849930 035 $a(SSID)ssj0000294300 035 $a(PQKBManifestationID)11222956 035 $a(PQKBTitleCode)TC0000294300 035 $a(PQKBWorkID)10311801 035 $a(PQKB)10511717 035 $a(StDuBDS)EDZ0000055981 035 $a(MiAaPQ)EBC470845 035 $a(OCoLC)777472729 035 $a(MdBmJHUP)muse30384 035 $a(DE-B1597)520124 035 $a(DE-B1597)9780520932791 035 $a(Au-PeEL)EBL470845 035 $a(CaPaEBR)ebr10595413 035 $a(CaONFJC)MIL235903 035 $a(EXLCZ)991000000000765498 100 $a20061030d2007 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDrama kings$b[electronic resource] $eplayers and publics in the re-creation of Peking opera, 1870-1937 /$fJoshua Goldstein 210 $aBerkeley $cUniversity of California Press$dc2007 215 $a1 online resource (385 p.) 300 $aDescription based upon print version of record. 311 $a0-520-24752-3 320 $aIncludes bibliographical references (p. 335-353) and index. 327 $tFrontmatter -- $tContents -- $tIllustrations -- $tAcknowledgments -- $tIntroduction -- $t1. Late Qing Institutions of Peking Opera -- $t2. From Teahouse to Playhouse -- $t3. The Experimental Stage, 1895-1920 -- $t4. May Fourth Realism and Qi Rushan's Theory of National Drama -- $t5. Landscape and Figure, Nation and Character -- $t6. The Limits of Reform -- $t7. The Gendering of National Culture, Or, The Only Good Woman is a Man -- $t8. Nationalization through Iconification -- $tEpilogue -- $tNotes -- $tBibliography -- $tIndex 330 $aIn this colorful and detailed history, Joshua Goldstein describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. Providing a fascinating look into the lives of some of the opera's key actors, he explores their methods for earning a living; their status in an ever-changing society; the methods by which theaters functioned; the nature and content of performances; audience make-up; and the larger relationship between Peking opera and Chinese nationalism. Propelled by a synergy of the commercial and the political patronage from the Qing court in Beijing to modern theaters in Shanghai and Tianjin, Peking opera rose to national prominence. The genre's star actors, particularly male cross-dressing performers led by the exquisite Mei Lanfang and the "Four Great Female Impersonators" became media celebrities, models of modern fashion and world travel. Ironically, as it became increasingly entrenched in modern commercial networks, Peking opera was increasingly framed in post-May fourth discourses as profoundly traditional. Drama Kings demonstrates that the process of reforming and marketing Peking opera as a national genre was integrally involved with process of colonial modernity, shifting gender roles, the rise of capitalist visual culture, and new technologies of public discipline that became increasingly prevalent in urban China in the Republican era. 606 $aTheater$zChina$zBeijing$xHistory 606 $aOperas, Chinese$zChina$zBeijing$xHistory 610 $acareer. 610 $acelebrities. 610 $achinese history. 610 $across dressing. 610 $across-dressers. 610 $acultural anthropology. 610 $adetailed history. 610 $adramatic. 610 $aemotional rollercoaster. 610 $afour great female impersonators. 610 $agender bending. 610 $agender roles. 610 $ahistorical reenactments. 610 $ahistory of china. 610 $ahistory. 610 $aintense emotion. 610 $aintense. 610 $alively. 610 $amelodrama. 610 $apeking opera. 610 $aperforming arts. 610 $apolitics. 610 $aqing dynasty. 610 $atheater and opera. 610 $atheater history. 610 $atheatrical. 615 0$aTheater$xHistory. 615 0$aOperas, Chinese$xHistory. 676 $a792.0951/156 700 $aGoldstein$b Joshua$f1965-$01561179 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778080103321 996 $aDrama kings$93827693 997 $aUNINA LEADER 06528oam 22015614 450 001 9910780743603321 005 20230721024259.0 010 $a1-4552-3476-1 010 $a1-4527-9676-9 010 $a1-283-53807-5 010 $a9786613850522 010 $a1-4519-2065-2 035 $a(CKB)2470000000001384 035 $a(EBL)1586641 035 $a(SSID)ssj0000432040 035 $a(PQKBManifestationID)11295004 035 $a(PQKBTitleCode)TC0000432040 035 $a(PQKBWorkID)10477992 035 $a(PQKB)10821237 035 $a(MiAaPQ)EBC1586641 035 $a(Au-PeEL)EBL1586641 035 $a(CaPaEBR)ebr10300226 035 $a(OCoLC)867926569 035 $a(IMF)IDDIEE 035 $a(EXLCZ)992470000000001384 100 $a20020129d2008 uf 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe IMF's Data Dissemination Initiative After Ten Years /$fWilliam Alexander, John Cady, Jesus Gonzalez-Garcia 210 1$aWashington, D.C. :$cInternational Monetary Fund,$d2008. 215 $a1 online resource (227 p.) 300 $aDescription based upon print version of record. 311 $a1-58906-700-2 320 $aIncludes bibliographical references. 327 $aCover Page; Title Page; Copyright Page; Contents; Foreword; Introduction; 1. 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The Context""; ""Introduction""; ""Antisemitism""; ""Racism""; ""Contradictions in Central Europe""; ""Germany's Turmoil, 1918-1933""; ""The Interwar Jewish Heartland""; ""Chapter 2. Nazism in Power""; ""Introduction""; ""Elite Cooperation""; ""Street-Level Coercion""; ""The Claims of Community""; ""Aryanization""; ""Talk of Annihilation""; ""Chapter 3. Impediments to Escape""; ""Introduction"" 327 $a""The United States and Refugees, 1933-1940""""France: From Hospitality to Hostility""; ""The Unreceptive British Empire""; ""Switzerland""; ""Palestine""; ""Going and Staying""; ""Chapter 4. The New Order in Europe""; ""Introduction""; ""Culling the German Volk""; ""Rearranging Populations""; ""Racial War in the East""; ""Plunder, Individual and Governmental""; ""Forced Labor""; ""Chapter 5. Jews in the Nazi Grip""; ""Introduction""; ""Indirect Rule""; ""Isolation and Impoverishment""; ""Choiceless Choices""; ""Leaving a Record""; ""Nothing to Lose""; ""Women Slave Laborers"" 327 $a""Robbery in the Netherlands""""Chapter 6. The German Killers and Their Methods""; ""Introduction""; ""Deciding to Kill""; ""Bringing Death to Jews""; ""Bringing Jews to Death""; ""Political Soldiers""; ""The Fates of Gypsies""; ""Camp Labor""; ""The Final Frenzy""; ""Chapter 7. Collaboration and Its Limits""; ""Introduction""; ""Poland: The Blue Police""; ""Romania: Annihilation Aborted""; ""Vichy France: Our Jews and the Rest""; ""The Italian Paradox""; ""The Hungarian Paroxysm""; ""Papal Priorities""; ""Self-Serving Switzerland""; ""Chapter 8. Rescuing Jews Means and Obstacles"" 327 $a""Introduction""""The Kovno Connection""; ""The Good German of Vilna""; ""Collective Action in Vivarais-Lignon""; ""The Hidden Jews of Warsaw""; ""Saving Jewish Children in Belgium""; ""American Inhibitions""; ""Sweden Expands Asylum""; ""Chapter 9. Aftermath""; ""Introduction""; ""Survivors""; ""Zion's Ambivalence""; ""America's Incomprehension""; ""The Great Reversal""; ""The Pathology of Denial""; ""Restitution and Its Discontents""; ""After Such Knowledge""; ""List of Abbreviations""; ""Source Acknowledgments""; ""Index""; ""About Peter Hayes""; ""About Harvey Schulweis"" 330 $aAs the Holocaust passes out of living memory, future generations will no longer come face-to-face with Holocaust survivors. But the lessons of that terrible period in history are too important to let slip past. How Was It Possible?, edited and introduced by Peter Hayes, provides teachers and students with a comprehensive resource about the Nazi persecution of Jews. 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