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100   $a20090914d2009      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aHermeneutics and music criticism$b[electronic resource] /$fRoger W.H. Savage
210   $aNew York, N.Y. $cRoutledge$d2009
215   $a1 online resource (213 p.)
300   $aDescription based upon print version of record.
311   $a1-138-87029-3 
311   $a0-415-99859-X 
320   $aIncludes bibliographical references and index.
327   $aAesthetics, hermeneutics, criticism -- Social Werktreue and the subjectivization of aesthetics -- From musike? to metaphysics -- Formalist aesthetics and musical hermeneutics -- Deconstructing the disciplinary divide -- The question of metaphor -- Mimesis and the hermeneutics of music -- Political critique and the politics of music criticism -- Toward a hermeneutics of music criticism.
330   $aHermeneutics and Music Criticism forges new perspectives on aesthetics, politics and contemporary interpretive strategies. By advancing new insights into the roles judgment and imagination play both in our experiences of music and its critical interpretation, this book reevaluates our current understandings of music's transformative power. The engagement with critical musicologists and philosophers, including Adorno, Gadamer, and Ricoeur, provides a nuanced analysis of the crucial issues affecting the theory and practice of music criticism. By challenging musical hermeneutics? deployment as a 
606   $aMusical criticism
606   $aMusicology
606   $aMusic$xPhilosophy and aesthetics
615  0$aMusical criticism.
615  0$aMusicology.
615  0$aMusic$xPhilosophy and aesthetics.
676   $a781.1/7
676   $a781.17
700   $aSavage$b Roger W. H$01503593
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910778052003321
996   $aHermeneutics and music criticism$93732096
997   $aUNINA