LEADER 02418nam 2200541 a 450 001 9910778050103321 005 20230721022008.0 010 $a0-8166-6778-0 035 $a(CKB)1000000000773440 035 $a(EBL)445623 035 $a(OCoLC)646814577 035 $a(SSID)ssj0000111171 035 $a(PQKBManifestationID)11137781 035 $a(PQKBTitleCode)TC0000111171 035 $a(PQKBWorkID)10080414 035 $a(PQKB)10668796 035 $a(MiAaPQ)EBC445623 035 $a(MdBmJHUP)muse38894 035 $a(Au-PeEL)EBL445623 035 $a(CaPaEBR)ebr10318097 035 $a(CaONFJC)MIL523040 035 $a(EXLCZ)991000000000773440 100 $a20081106d2009 ub 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aBeyond the subtitle$b[electronic resource] $eremapping European art cinema /$fMark Betz 210 $aMinneapolis $cUniversity of Minnesota Press$d2009 215 $a1 online resource (362 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-4036-X 311 $a0-8166-4035-1 320 $aIncludes bibliographical references and index. 327 $aRecovering European art cinema -- The name above the subtitle: language, coproduction, transnationalism -- Wandering women: decolonization, modernity, recolonization -- Exquisite corpses: art cinema, film studies, and the omnibus film. 330 $aA provocative rethinking of national cinema, authorship, and the discipline of film studies.Examining European art films of the 1950's and 1960's, Mark Betz argues that it is time for film analysis to move beyond prevailing New Wave historiography, mired in outdated notions of nationalism and dragged down by decades of auteurist criticism. Focusing on the cinemas of France and Italy, Betz reveals how the flowering of European art films in the postwar era is inseparable from the complex historical and political frameworks of the time.Remapping the practices and paradigms of film history, Beyond 606 $aMotion pictures$zEurope$xHistory$y20th century 615 0$aMotion pictures$xHistory 676 $a791.43/0940904 700 $aBetz$b Mark$01503578 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778050103321 996 $aBeyond the subtitle$93732078 997 $aUNINA