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100   $a20050406d2005      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aL.A. noir$b[electronic resource] $ethe city as character /$fAlain Silver & James Ursini ; additional photography, Elizabeth Ward
210   $aSanta Monica, CA $cSanta Monica Press$dc2005
215   $a1 online resource (177 p.)
300   $aDescription based upon print version of record.
311   $a1-306-03535-X 
311   $a1-59580-006-9 
320   $aFilmography: p. 158-171.
320   $aIncludes bibliographical references (p. 156-157).
327   $aCover; Contents; Acknowledgments; Introduction; 1. HOLLYWOOD: The Dream Is Born; 2. THE WESTSIDE AND THE COAST: Where the Dream Runs Out of Steam; 3. DOWNTOWN LOS ANGELES: The Dream vs. the Nightmare; 4. THE 'BURBS: The Dream Re-Created?; Selected Bibliography; Selected Filmography; Photograph Notes and Locations
330   $aFilm buffs explore the world of noir cinema in a Los Angeles context with this guide to noir films and their California settings. This book illustrates how these films use L.A.'s diverse cityscape and architecture to convey a unique vision of urban corruption and existential fatalism, in both the gritty downtown area and the outlying affluent communities like Malibu and Beverly Hills. Dozens of noir and neo-noir films are featured including classics such as Double Indemnity, Kiss Me Deadly, Sunset Boulevard, and Touch of Evil and more recent films such as Mu
606   $aFilm noir$zUnited States$xHistory and criticism
607   $aLos Angeles (Calif.)$xIn motion pictures
615  0$aFilm noir$xHistory and criticism.
676   $a791.43/6279494
700   $aSilver$b Alain$f1947-$0647612
701   $aUrsini$b James$0702693
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910778000403321
996   $aL.A. noir$93867289
997   $aUNINA