LEADER 02943nam 2200469 450 001 9910774705103321 005 20221224052204.0 010 $a1-00-318403-0 010 $a1-000-53847-8 010 $a1-000-53840-0 010 $a1-003-18403-0 035 $a(CKB)5600000000024680 035 $a(NjHacI)995600000000024680 035 $a(MiAaPQ)EBC7244662 035 $a(Au-PeEL)EBL7244662 035 $a(EXLCZ)995600000000024680 100 $a20221224d2022 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Acoustic Self in English Modernism and Beyond $eWriting Musically /$fZoltan Varga 205 $aFirst edition. 210 1$a[Place of publication not identified] :$cRoutledge,$d2022. 210 4$dİ2022 215 $a1 online resource (168 pages) 311 $a1-03-202584-0 320 $aIncludes bibliographical references and index. 327 $aIntroduction. We Hear Only Ourselves -- Let's Get Lost -- Of Fugue and Other Demons -- Does Beethoven Kill? - Absolute Music and the Self -- Wagner, Je T'aime ... Moi Non Plus -- The Dispersion of the Acoustic Self. 330 $aDrawing on the analogy between musical meaning-making and human subjectivity,? this book? develops the concept of the? acoustic self, exploring? the ways in which musical characterization and structure are related to issues of subject-representation in the modernist English novel.? The volume is framed around three musical topics???the fugue, absolute music, and? Gesamtkunstwerk???arguing that these three modes of musicalization address modernist dilemmas around selfhood and identity. Varga reflects on the manifestations of the? acoustic self? in examples from the works of E.M. Forster, Aldous Huxley, and Virginia Woolf and such musicians as Bach, Beethoven, Handel, and Wagner. An additional chapter on jazz and electronic music supplements these inquiries, pursuing the? acoustic self? beyond modernism and thereby inciting further discussion and theorization of musical intermediality, as well as recent sonic practices.? Probing the analogies in the complex interrelationship between music, representation, and language in fictional texts and the nature of human subjectivity, this book will appeal to scholars interested in the interface of language and music, in such areas as intermediality, multimodality, literary studies, critical theory, and modernist studies. 517 $aAcoustic Self in English Modernism and Beyond 606 $aMusic$xPhilosophy and aesthetics 615 0$aMusic$xPhilosophy and aesthetics. 676 $a780.1 700 $aVarga$b Zoltan$01272439 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910774705103321 996 $aThe Acoustic Self in English Modernism and Beyond$93664685 997 $aUNINA LEADER 01552nam 2200469Ia 450 001 9910777916003321 005 20200520144314.0 010 $a1-4416-1884-8 035 $a(CKB)1000000000785649 035 $a(MiAaPQ)EBC3001565 035 $a(Au-PeEL)EBL3001565 035 $a(CaPaEBR)ebr10179759 035 $a(OCoLC)929146214 035 $a(EXLCZ)991000000000785649 100 $a20060929d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 200 10$aOut front with Stephen Abram$b[electronic resource] $ea guide for information leaders /$fcompiled by Judith A. Siess and Jonathan Lorig 210 $aChicago $cAmerican Library Association$d2007 215 $axii, 203 p. $cill 311 $a0-8389-0932-9 320 $aIncludes bibliographical references (p. 179-192) and index. 327 $aAdvocacy -- Technology -- Communities and generations -- The future. 606 $aLibraries and society 606 $aLibraries$xInformation technology 606 $aLibrary users 606 $aLibrary science$xForecasting 615 0$aLibraries and society. 615 0$aLibraries$xInformation technology. 615 0$aLibrary users. 615 0$aLibrary science$xForecasting. 676 $a021.2 700 $aAbram$b Stephen$01535259 701 $aSiess$b Judith A$01504181 701 $aLorig$b Jonathan$01535260 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777916003321 996 $aOut front with Stephen Abram$93783377 997 $aUNINA