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181   $ctxt
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200 10$aHow high should boys sing?$b[electronic resource] $eGender, authenticity and credibility in the young male voice /$fMartin Ashley
210   $aFarnham, England ;$aBurlington, VT $cAshgate Pub.$d2009
215   $a182 p. ;$d24 cm
300   $aIncludes index.
311   $a0-7546-6475-9 
327   $aCover; Contents; List of Figures; List of Tables; Acknowledgements; Introduction; 1 The Background; 2 Singing as Social Control of Boyhood; 3 Physiology of the Young Male Voice; 4 Subjectivity and Agency in the Young Male Voice; 5 Admiration of the Boy; 6 A Child Doing a Man's Work in a Man's World; 7 Angels in the Market Place; 8 We Can't Sing Like Men, So We Won't Sing At All; 9 Ambassadors and Mediators; 10 The Future; Index
330   $aA boy sings...a beautiful thing' (www.boychoirs.org), but is it? What kinds of boy, singing what kinds of music and to whom? Martin Ashley presents a unique consideration of boys' singing that shows the high voice to be historically, culturally and physiologically more problematic even than is commonly assumed. Through Ashley's extensive conversations with young performers and analysis of their reception by 'peer audiences', the research reveals that the common supposition that 'boys don't want to sound like girls' is far from adequate in explaining the 'missing males' syndrome that can perple
606   $aSinging$xSocial aspects
606   $aBoys$xPsychology
606   $aVoice, Change of
606   $aSinging$xInstruction and study$zGreat Britain
606   $aSinging$xPsychological aspects
615  0$aSinging$xSocial aspects.
615  0$aBoys$xPsychology.
615  0$aVoice, Change of.
615  0$aSinging$xInstruction and study
615  0$aSinging$xPsychological aspects.
676   $a782.008341
676   $a783.7081
700   $aAshley$b Martin$f1953-$01486280
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996   $aHow high should boys sing$93812657
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