LEADER 02062nam 2200565 a 450 001 9910462990103321 005 20200520144314.0 010 $a0-8132-1926-4 035 $a(CKB)2670000000319319 035 $a(EBL)3135018 035 $a(SSID)ssj0000803025 035 $a(PQKBManifestationID)11438430 035 $a(PQKBTitleCode)TC0000803025 035 $a(PQKBWorkID)10815228 035 $a(PQKB)11600491 035 $a(MiAaPQ)EBC3135018 035 $a(OCoLC)820719987 035 $a(MdBmJHUP)muse24028 035 $a(Au-PeEL)EBL3135018 035 $a(CaPaEBR)ebr10642484 035 $a(OCoLC)922996932 035 $a(EXLCZ)992670000000319319 100 $a20100413d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAfter the fall$b[electronic resource] $ewar and occupation in Ire?ne Ne?mirovsky's Suite franc?aise /$fNathan Bracher 210 $aWashington, D.C. $cCatholic University of America Press$dc2010 215 $a1 online resource (297 p.) 300 $aDescription based upon print version of record. 311 $a0-8132-1789-X 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Timely representations -- Narrating the fall -- Epic suffering -- Accounting for disaster: tempe?te en juin and its contemporaries -- Occupational hazards -- Portraits of the Nazis as young men -- Private lives and public stories -- Reaching the rendezvous with destiny. 606 $aWorld War, 1939-1945$zFrance$xLiterature and the war 606 $aWar in literature 607 $aFrance$xHistory$yGerman occupation, 1940-1945 608 $aElectronic books. 615 0$aWorld War, 1939-1945$xLiterature and the war. 615 0$aWar in literature. 676 $a843/.912 700 $aBracher$b Nathan$f1953-$01034508 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462990103321 996 $aAfter the fall$92481906 997 $aUNINA LEADER 02507 am 2200565 n 450 001 9910495786603321 005 20240104030436.0 010 $a88-99559-32-5 024 7 $a10.4000/books.edizionikaplan.1581 035 $a(CKB)4100000010138554 035 $a(FrMaCLE)OB-edizionikaplan-1581 035 $a(PPN)242885713 035 $a(EXLCZ)994100000010138554 100 $a20200129j|||||||| ||| 0 101 0 $aita 135 $auu||||||m|||| 200 00$aLost Landscapes$eIl cinema amatoriale e la città$fPaolo Simoni 210 $aAsti$cEdizioni Kaplan$d2019 215 $a1 online resource (192 p.) 311 $a88-99559-27-9 330 $aLost Landscapes offre un viaggio nel tempo e nello spazio attraverso immagini d?archivio che arricchiscono il panorama dei media digitali. Grazie al lavoro e all?interpretazione di studiosi, curatori, artisti e filmmaker, dalla ricca e varia produzione del cinema amatoriale del Novecento riemergono sguardi familiari e stranianti allo stesso tempo. Il libro presenta il caso di Bologna, città filmata dai suoi abitanti tra gli anni ?50 e ?80 e oggi esplorata attraverso le immagini inedite raccolte dall?Archivio Home Movies. Bologna diventa così il paradigma della ?città amatoriale?, esempio di una nuova prospettiva sul rapporto tra cinema e paesaggio urbano. La città amatoriale da cut up e mosaico si trasforma in un dispositivo visuale per rileggere e riscrivere lo spazio urbano tramite le immagini d?archivio, prendendo di volta in volta la forma contemporanea di mappa, piattaforma interattiva, found footage film, installazione immersiva. Strumenti per guardare il passato e interrogarlo rivolgendosi al futuro. 606 $aFilm Radio Television 606 $amédias numériques 606 $avidéo 606 $afilm 606 $adécoupé 606 $aBologne 606 $amedia digitali 606 $avideo 606 $acut up 606 $aBologna 606 $adigital media 615 4$aFilm Radio Television 615 4$amédias numériques 615 4$avidéo 615 4$afilm 615 4$adécoupé 615 4$aBologne 615 4$amedia digitali 615 4$avideo 615 4$acut up 615 4$aBologna 615 4$adigital media 700 $aSimoni$b Paolo$0506258 701 $aBertozzi$b Marco$0242073 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910495786603321 996 $aLost Landscapes$93657104 997 $aUNINA LEADER 02859nam 22006374a 450 001 9910777899403321 005 20200520144314.0 010 $a0-8131-3830-2 010 $a1-283-23265-0 010 $a9786613232656 010 $a0-8131-7146-6 035 $a(CKB)1000000000467661 035 $a(EBL)792208 035 $a(OCoLC)77011117 035 $a(SSID)ssj0000124131 035 $a(PQKBManifestationID)11140839 035 $a(PQKBTitleCode)TC0000124131 035 $a(PQKBWorkID)10017192 035 $a(PQKB)10949543 035 $a(OCoLC)646839168 035 $a(MdBmJHUP)muse13802 035 $a(Au-PeEL)EBL792208 035 $a(CaPaEBR)ebr10340822 035 $a(CaONFJC)MIL323265 035 $a(MiAaPQ)EBC792208 035 $a(EXLCZ)991000000000467661 100 $a20060404d2006 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 12$aA coat of many colors$b[electronic resource] $ereligion and society along the Cape Fear River of North Carolina /$fWalter H. Conser, Jr 210 $aLexington, Ky. $cUniversity Press of Kentucky$dc2006 215 $a1 online resource (385 p.) 225 1 $aReligion in the South 300 $aDescription based upon print version of record. 311 $a0-8131-2405-0 320 $aIncludes bibliographical references (p. 333-360) and index. 327 $aThe Cape Fear and its Indians -- Tensions in the colonial era -- Religious liberty and denominational expansion -- Bonds of association -- Mystic chords of memory -- Religion and the New South -- Pluralism in the Port City and beyond. 330 $aWhile religious diversity is often considered a relatively recent phenomenon in America, the Cape Fear region of North Carolina has been a diverse community since the area was first settled. The Cape Fear River and the port city of Wilmington were more urban than the rest of the state; thus the region provided people with opportunities seldom found in other parts of North Carolina. These opportunities drew residents from many ethnic backgrounds, and the residents brought their religious traditions with them. In A Coat of Many Colors, Walter H. Conser Jr. explores how religious and racial di 410 0$aReligion in the South. 606 $aReligious pluralism$zNorth Carolina$zCape Fear River Valley 606 $aRace discrimination$xReligious aspects$xChristianity 607 $aCape Fear River Valley (N.C.)$xChurch history 615 0$aReligious pluralism 615 0$aRace discrimination$xReligious aspects$xChristianity. 676 $a200.9756/2 700 $aConser$b Walter H$01552578 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777899403321 996 $aA coat of many colors$93812584 997 $aUNINA