LEADER 02195nam 22005774a 450 001 9910777877703321 005 20230920235112.0 010 $a0-8166-9583-0 035 $a(CKB)1000000000470996 035 $a(EBL)310636 035 $a(OCoLC)476095344 035 $a(SSID)ssj0000231745 035 $a(PQKBManifestationID)11193193 035 $a(PQKBTitleCode)TC0000231745 035 $a(PQKBWorkID)10207012 035 $a(PQKB)10079334 035 $a(MiAaPQ)EBC310636 035 $a(OCoLC)144618717 035 $a(MdBmJHUP)muse39761 035 $a(Au-PeEL)EBL310636 035 $a(CaPaEBR)ebr10159662 035 $a(CaONFJC)MIL522865 035 $a(EXLCZ)991000000000470996 100 $a20021226d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe quiet hours $ecity photographs /$fMike Melman, with an essay by Bill Holm 210 1$aMinneapolis :$cUniversity of Minnesota Press,$d2003. 215 $a1 online resource (x, 81 pages) $cillustrations 311 0 $a0-8166-4328-8 327 $aContents; Preface; Cities of Shadow and Light; The Quiet Hours: City Photographs 330 $aWith an Essay by Bill HolmIn The Quiet Hours, Mike Melman records a vanishing era of Minnesota's towns and cities through a series of seventy black-and-white photographs taken from 1985 to 2002. Working in the half-light of predawn hours, Melman brings a new perspective to familiar places. In his essay, Bill Holm compares Melman's work to that of Walt Whitman and Carl Sandburg, artists who embrace and celebrate the urban experience. 606 $aPhotography, Artistic 606 $aArchitectural photography 606 $aStreet photography 615 0$aPhotography, Artistic. 615 0$aArchitectural photography. 615 0$aStreet photography. 676 $a779/.4/092 700 $aMelman$b Mike$01512009 701 $aHolm$b Bill$f1943-2009.$01512010 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777877703321 996 $aThe quiet hours$93745651 997 $aUNINA