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101 0 $aeng
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181   $ctxt
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200 10$aJazz in search of itself$b[electronic resource] /$fLarry Kart
210   $aNew Haven $cYale University Press$dc2004
215   $a1 online resource (1 online resource (x, 342 p.))
300   $aBibliographic Level Mode of Issuance: Monograph
311 0 $a0-300-10420-0 
327   $tFront matter --$tCONTENTS --$tPREFACE --$tINTRODUCTION --$tPART ONE. Notes and Memories of the New Music, 1969 --$tPART TWO. A Way of Living --$tPART THREE. The Generators --$tPART FOUR. Moderns and After --$tPART FIVE. Miles Davis --$tPART SIX. Tristano-ites --$tPART SEVEN. The Neo-Con Game --$tPART EIGHT. Singers and Songmakers --$tPART NINE. Alone Together
330   $aIn this engaging and astute anthology of jazz criticism, Larry Kart casts a wide net. Discussing nearly seventy major jazz figures and many of the music's key stylistic developments, Kart sees jazz as a unique perpetual narrative-one in which musicians, their audiences, and the evolving music itself are intimately intertwined. Because jazz arose from the collision of specific peoples under particular conditions, says Kart, its development has been unusually immediate, visible, and intense. Kart has reacted to and judged the music in a similarly active, attentive, and personal manner. His involvement and attention to detail are visible in these pieces: essays that analyze the supposed return to tradition that the music of Wynton Marsalis has come to exemplify; searching accounts of the careers of Miles Davis, Thelonius Monk, Bill Evans, and Lennie Tristano; and writing that explores jazz's relationship to American popular song and examines the jazz musician's role as actual and would-be social rebel.
606   $aJazz$xHistory and criticism
615  0$aJazz$xHistory and criticism.
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700   $aKart$b Larry$f1942-$01536808
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