LEADER 03323nam 2200637 450 001 9910777764503321 005 20191118111955.0 010 $a0-85773-278-1 010 $a0-7556-0418-0 010 $a0-85771-056-7 010 $a600-00-0962-3 010 $a1-4294-8000-9 024 7 $a10.5040/9780755604180 035 $a(CKB)1000000000473151 035 $a(EBL)676931 035 $a(OCoLC)710975815 035 $a(MiAaPQ)EBC676931 035 $a(CaBNVSL)mat55604180 035 $a(OCoLC)159958315 035 $a(CaBNVSL)9780755604180 035 $a(EXLCZ)991000000000473151 100 $a20191118h20192007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aArt and obscenity /$fKerstin Mey 205 $aFirst edition. 210 1$aLondon [England] :$cI.B. Tauris & Co. Ltd,$d2007. 210 2$a[London, England] :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (193 p.) 225 1 $aArt and-- 300 $aDescription based upon print version of record. 311 $a1-84511-234-2 320 $aIncludes bibliographical references (pages 171-176) and index. 327 $aIntroduction -- Chapter 1. 'I Know It When I See It' : On the definition and history of the category of the obscene -- Chapter 2. Transgressive Rituals -- Chapter 3. Abjection and Dis-ease -- Chapter 4. Violent Images : Aesthetic Simulations -- Chapter 5. 'Playing with the Dead' : The cadaver as fascinosum -- Chapter 6. Anti-Normative Acts : Radical liberation? -- Chapter 7. Obscenity and the Documentary Tradition -- Chapter 8. Recycled Fantasies : Obscenity between kitsch, convention and innovation -- Chapter 9. 'Know Thyself'? -- Chapter 10. Digital (Counter-)Currents -- Chapter 11. Cyber-(ob)scene -- Notes -- Bibliography -- Index. 330 8 $aExplicit material is more widely available in the internet age than ever before, yet the concept of "obscenity" remains as difficult to pin down as it is to approach without bias: notions of what is "obscene" shift with societies' shifting mores, and our responses to explicit or disturbing material can be highly subjective. In this intelligent and sensitive book, Kerstin Mey grapples with the work of twentieth century artists practising at the edges of acceptability, from Hans Bellmer through to Nobuyoshi Araki, from Robert Mapplethorpe to Annie Sprinkle, and from Hermann Nitsch to Paul McCarthy. Mey refuses sweeping statements and "kneejerk" responses, arguing with dexterity that some works, regardless of their "high art" context, remain deeply problematic, while others are both groundbreaking and liberating. 410 0$aArt and-. 606 $aArt$xSocial aspects 606 $aErotic art$xSocial aspects 606 $aObscenity (Law) 606 $aHistory of art & design styles: from c 1900 -$2bicssc 615 0$aArt$xSocial aspects. 615 0$aErotic art$xSocial aspects. 615 0$aObscenity (Law). 615 7$aHistory of art & design styles: from c 1900 - 676 $a704.9/428 700 $aMey$b Kerstin$01577034 801 0$bN 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910777764503321 996 $aArt and obscenity$93855254 997 $aUNINA