LEADER 03408oam 2200649Ia 450 001 9910777756203321 005 20190503073348.0 010 $a9786612240188 010 $a1-282-24018-8 010 $a0-262-25515-4 035 $a(CKB)1000000000750107 035 $a(SSID)ssj0000235266 035 $a(PQKBManifestationID)11215831 035 $a(PQKBTitleCode)TC0000235266 035 $a(PQKBWorkID)10242901 035 $a(PQKB)10479149 035 $a(StDuBDS)EDZ0000131116 035 $a(MiAaPQ)EBC3338992 035 $a(OCoLC)319069931$z(OCoLC)432428916$z(OCoLC)646801468$z(OCoLC)744539296$z(OCoLC)764510235$z(OCoLC)816316152$z(OCoLC)939125751$z(OCoLC)961565807$z(OCoLC)962627640$z(OCoLC)988457977$z(OCoLC)991987337$z(OCoLC)992065303$z(OCoLC)995040164$z(OCoLC)1037940335$z(OCoLC)1038592779$z(OCoLC)1045500589$z(OCoLC)1055402354$z(OCoLC)1058189637$z(OCoLC)1064185745$z(OCoLC)1081258281 035 $a(OCoLC-P)319069931 035 $a(MaCbMITP)7680 035 $a(Au-PeEL)EBL3338992 035 $a(CaPaEBR)ebr10280020 035 $a(CaONFJC)MIL224018 035 $a(OCoLC)319069931 035 $a(EXLCZ)991000000000750107 100 $a20090423d2009 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRelationscapes $emovement, art, philosophy /$fErin Manning 210 $aCambridge, Mass. $cMIT Press$dİ2009 215 $a1 online resource (x, 268 p.) $cill 225 1 $aTechnologies of lived abstraction 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-262-13490-X 320 $aIncludes bibliographical references (p. [247]-255) and index. 327 $aPrelude: What moves as a body returns as a movement of thought -- Introduction: Events of relation : concepts in the making -- Incipient action : the dance of the not-yet -- The elasticity of the almost -- Interlude: A mover's guide to standing still -- Taking the next step -- Dancing the technogenetic body -- Interlude: Perceptions in folding -- Grace taking form : Marey's movement machines -- Interlude: Animation's dance -- From biopolitics to the biogram, or, how Leni Riefenstahl moves through fascism -- Interlude: Of force fields and rhythm contours : David Sprigg's animate sculptures -- Relationscapes : how contemporary Aboriginal art moves beyond the map -- Constituting facts : Dorothy Napangardi dances the dreaming -- Interlude: Cornering a beginning -- Conclusion: Propositions for thought in motion. 330 8 $aExploring the relation between sensation and thought through the prisms of dance, cinema, art, and the new media, Manning argues for the intensity of movement, developing the concept of preacceleration which makes palpable how movement creates relational intervals out of which displacements take form. 410 0$aTechnologies of lived abstraction. 606 $aMovement (Philosophy) 606 $aTechnology 610 $aDIGITAL HUMANITIES & NEW MEDIA/New Media Art 610 $aSOCIAL SCIENCES/Media Studies 610 $aARTS/Photography & Film/History, Theory & Criticism 615 0$aMovement (Philosophy) 615 0$aTechnology. 676 $a128/.6 700 $aManning$b Erin$0446537 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910777756203321 996 $aRelationscapes$997178 997 $aUNINA