LEADER 03098nam 22005892 450 001 9910777688703321 005 20230617005802.0 010 $a94-012-0147-1 010 $a1-4175-9105-6 024 7 $a10.1163/9789401201476 035 $a(CKB)1000000000453998 035 $a(EBL)556631 035 $a(OCoLC)60075131 035 $a(SSID)ssj0000179482 035 $a(PQKBManifestationID)12073094 035 $a(PQKBTitleCode)TC0000179482 035 $a(PQKBWorkID)10148209 035 $a(PQKB)10809469 035 $a(MiAaPQ)EBC556631 035 $a(Au-PeEL)EBL556631 035 $a(CaPaEBR)ebr10380256 035 $a(nllekb)BRILL9789401201476 035 $a(EXLCZ)991000000000453998 100 $a20200716d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aInnovation and Visualization $eTrajectories, Strategies, and Myths /$fAmy Ione 210 1$aLeiden; $aBoston :$cBRILL,$d2005. 215 $a1 online resource (272 p.) 225 1 $aConsciousness, Literature and the Arts ;$v1 300 $aDescription based upon print version of record. 311 $a90-420-1675-2 320 $aIncludes bibliographical references and index. 327 $aPreface -- 1 Introduction: Two Cultures -- 2 Prelude -- 3 Art and Consciousness: Methodologies -- 4 Polyphonic Chords, Chromatic Painting and Synesthesia -- 5 Books, Rhetoric and Visual Art -- 6 Theory: Innovation: Practice -- 7 The Nineteenth Century: Painting, Photography and Vision Science -- 8 The Nineteenth Century: Inside Out and Upside Down -- 9 Working Space Revisited: Painting -- 10 Working Space Revisited: New Genres -- 11 Perception, Visual Art and the Brain -- 12 Viewing the Past: Conservation and Restoration Studies -- 13 Conclusion: Entering the Twenty-first century -- Notes on Chapter Title Quotes -- Bibliography -- Index. 330 $aAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. 410 0$aConsciousness, Literature and the Arts ;$v1. 517 3 $aTrajectories, Strategies, and Myths 606 $aArts$xPsychological aspects 606 $aConsciousness 615 0$aArts$xPsychological aspects. 615 0$aConsciousness. 676 $a191 700 $aIone$b Amy$0480141 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910777688703321 996 $aInnovation and visualization$9258155 997 $aUNINA