LEADER 03229nam 22005892 450 001 9910777655003321 005 20230828234158.0 010 $a94-012-0267-2 010 $a1-4294-6800-9 024 7 $a10.1163/9789401202671 035 $a(CKB)1000000000464438 035 $a(EBL)556535 035 $a(OCoLC)126874834 035 $a(SSID)ssj0000229791 035 $a(PQKBManifestationID)12059391 035 $a(PQKBTitleCode)TC0000229791 035 $a(PQKBWorkID)10172579 035 $a(PQKB)10892425 035 $a(MiAaPQ)EBC556535 035 $a(Au-PeEL)EBL556535 035 $a(CaPaEBR)ebr10380127 035 $a(nllekb)BRILL9789401202671 035 $a(EXLCZ)991000000000464438 100 $a20200716d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aProvisionality and the Poem $eTransitions in the Work of du Bouchet, Jaccottet and Noël /$fEmma Wagstaff 210 1$aLeiden; $aBoston :$cBRILL,$d2006. 215 $a1 online resource (245 p.) 225 1 $aFaux Titre ;$v278 300 $aDescription based upon print version of record. 311 $a90-420-1939-5 320 $aIncludes bibliographical references and index. 327 $aAcknowledgements -- List of Illustrations -- Introduction -- 1. Poetry in Time -- 2. Words in the Air -- 3. Art and the Book: Du Bouchet, Noël and the Visual Arts -- 4. The Foreign Language: Jaccottet, du Bouchet and Translation -- 5. Silence: Noël, Jaccottet and the Limits of Language -- Conclusion -- Illustrations -- Bibliography -- Index. 330 $aMuch poetic writing in France in the post-1945 period is set in an elemental landscape and expressed through an impersonal poetic voice. It is therefore often seen as primarily spatial and cut off from human concerns. This study of three poets, André du Bouchet, Philippe Jaccottet and Bernard Noël, who have not been compared before, argues that space is inseparable from time in their work, which is always in transition. The different ways in which the provisional operates in their writing show the wide range of forms that modern poetry can take: an insistence on the figure of the interval, hesitant movement, or exuberant impulse. As well as examining the imaginative universes of the poets through close attention to the texts, this book considers the important contribution they have made in their prose writing to our understanding of the visual arts and poetry translation, in themselves transitional activities. It argues that these writers have, in different ways, succeeded in creating poetic worlds that attest to close and constantly changing contact with the real. 410 0$aFaux Titre ;$v278. 517 3 $aTransitions in the Work of du Bouchet, Jaccottet and Noël 606 $aFrench poetry$y20th century$xHistory and criticism 606 $aFrench poetry 615 0$aFrench poetry$xHistory and criticism. 615 0$aFrench poetry. 676 $a841.9209 700 $aWagstaff$b Emma$01532090 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910777655003321 996 $aProvisionality and the Poem$93778146 997 $aUNINA