LEADER 04574nam 2200613Ia 450 001 9910777647503321 005 20230617003516.0 010 $a94-012-0278-8 010 $a1-4237-9145-2 024 7 $a10.1163/9789401202787 035 $a(CKB)1000000000462530 035 $a(EBL)556627 035 $a(OCoLC)714567336 035 $a(SSID)ssj0000118238 035 $a(PQKBManifestationID)11984485 035 $a(PQKBTitleCode)TC0000118238 035 $a(PQKBWorkID)10053370 035 $a(PQKB)11192008 035 $a(MiAaPQ)EBC556627 035 $a(OCoLC)70876773$z(OCoLC)71447595$z(OCoLC)144525483$z(OCoLC)714567336$z(OCoLC)764536380$z(OCoLC)816497066 035 $a(nllekb)BRILL9789401202787 035 $a(Au-PeEL)EBL556627 035 $a(CaPaEBR)ebr10380453 035 $a(EXLCZ)991000000000462530 100 $a20060127d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCarmen$b[electronic resource] $efrom silent film to MTV /$fedited by Chris Perriam and Ann Davies 210 $aAmsterdam ;$aNew York $cRodopi$d2005 215 $a1 online resource (233 p.) 225 1 $aCritical studies ;$vv. 24 300 $aDescription based upon print version of record. 311 $a90-420-1964-6 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rChris Perriam and Ann Davies -- $tIntroduction /$rAnn Davies -- $tSpace, Time and Gender in the Film d?Art Carmen of 1910 /$rNicholas Till -- $tGeraldine Farrar and Cecil B. DeMille: The Effect of Opera on Film and Film on Opera in 1915 /$rGillian B. Anderson -- $tCarmen and Early Cinema: The Case of Jacques Feyder (1926) /$rWinifred Woodhull -- $tShadow and Substance: Reiniger?s Carmen Cuts Her Own Capers /$rHarriet Margolis -- $tA Carmenesque Dietrich in The Devil Is A Woman: Erotic Scenarios, Modern Desires and Cultural Differences Between the USA and Spain /$rHilaria Loyo -- $tRehispanicizing Carmen: Cultural Reappropriations in Spanish Cinema /$rJosé F. Colmeiro -- $tPutting the Blame on Carmen: The Rita Hayworth Version /$rPeter William Evans -- $tScreen Politics: Otto Preminger?s Carmen Jones /$rNelly Furman -- $tThe Dissonant Refrains of Jean-Luc Godard?s Prénom Carmen /$rAmy Herzog -- $tCarlos Saura?s Carmen: Hybridity and the Inescapable Cliché /$rAndrés Lema-Hincapié -- $tCinematic Carmen and the ?Oeil Noir? /$rJeremy Tambling -- $tThe Turbulent Movement of Forms: Rosi?s Postmodern Carmen /$rMary P. Wood -- $tCarmen as Perennial Fusion: From Habanera to Hip-Hop /$rSusan McClary -- $tList of Contributors /$rChris Perriam and Ann Davies -- $tIndex /$rChris Perriam and Ann Davies. 330 $aSince Prosper Mérimée and Georges Bizet (with his librettists Meilhac and Halévy) brought the figure of the Spanish Carmen to prominence in the nineteenth century an astonishing eighty or so film versions of the story have been made. This collection of essays gathers together a unique body of scholarly critique focused on that Carmen narrative in film. It covers the phenomenon from a number of aspects: cultural studies, gender studies, studies in race and representation, musicology, film history, and the history of performance. The essays take us from the days of silent film to twenty-first century hip-hop style, showing, through a variety of theoretical and historical perspectives that, despite social and cultural transformations?particularly in terms of gender, sexuality and race?remarkably little has changed in terms of basic human desires and anxieties, at least as they are represented in this body of films. The conception of Carmen?s independent sexuality as a source of danger both to men (and occasionally women) and to respectable society has been a constant. Nor has sexual and ethnic otherness lost its appeal. On the other hand, the corpus of Carmen films is more than a simple recycling of stereotypes and each engages newly with the social and cultural issues of their time. 410 0$aCritical studies (Amsterdam, Netherlands) ;$vv. 24. 606 $aCarmen (Fictitious character) 606 $aFilm adaptations 615 0$aCarmen (Fictitious character) 615 0$aFilm adaptations. 676 $a791.437 701 $aDavies$b Ann$f1961-$01127918 701 $aPerriam$b Christopher$01480600 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777647503321 996 $aCarmen$93830759 997 $aUNINA