LEADER 05460nam 2200637Ia 450 001 9910777646303321 005 20230404225731.0 010 $a94-012-0258-3 010 $a1-4237-8851-6 035 $a(CKB)1000000000462549 035 $a(EBL)556824 035 $a(OCoLC)70791649 035 $a(SSID)ssj0000108085 035 $a(PQKBManifestationID)12026415 035 $a(PQKBTitleCode)TC0000108085 035 $a(PQKBWorkID)10035616 035 $a(PQKB)10096891 035 $a(MiAaPQ)EBC556824 035 $a(OCoLC)70791649$z(OCoLC)150379728$z(OCoLC)714567426$z(OCoLC)744551167$z(OCoLC)764535810 035 $a(nllekb)BRILL9789401202589 035 $a(Au-PeEL)EBL556824 035 $a(CaPaEBR)ebr10380136 035 $a(CaONFJC)MIL989350 035 $a(EXLCZ)991000000000462549 100 $a20051111d2005 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAvant-garde/Neo-avant-garde /$feditor, Dietrich Scheunemann 210 $aAmsterdam ;$aNew York, N.Y. $cRodopi$d2005 215 $a1 online resource (346 pages) $cillustrations, portrait 225 1 $aAvant Garde critical studies ;$v17 300 $aContributions mostly based on papers previously presented at a conference held in Edinburgh in Sept. 2002. 311 0 $a90-420-1925-5 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rDietrich Scheunemann --$tPreface /$rDietrich Scheunemann --$tFrom Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde /$rDIETRICH SCHEUNEMANN --$tWilhelm Worringer and the Historical Avant-Garde /$rRHYS W. WILLIAMS --$tOn the Historiographic Distinction between Historical and Neo-Avant-Garde /$rHUBERT VAN DEN BERG --$tAbstraction, Sublation and the Avant-Garde: The Case of De Stijl /$rMICHAEL WHITE --$tSameness and Difference: Duchamp?s Editioned Ready-mades and the Neo-Avant-Garde /$rDAVID HOPKINS --$tPaint it Black: Ad Reinhardt?s Paradoxical Avant-Gardism /$rBEN HIGHMORE --$tVerbal Chemistry and Concrete Poetry /$rKEITH ASPLEY --$tHow the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry /$rANNA KATHARINA SCHAFFNER --$tAmerican Language Poetry and the Definition of the Avant-Garde /$rJACOB EDMOND --$tFrom Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance /$rGÜNTER BERGHAUS --$tActor or Puppet: The Body in the Theatres of the Avant-Garde /$rOLGA TAXIDOU --$tFragmentation of the Body in Spanish Surrealism /$rUTA FELTEN --$tThe Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film /$rDAVID MACRAE --$tWhat Avant-Garde? /$rGÉRARD LEBLANC --$tThe Limits of ?Non-Plan?: Architecture and the Avant-Garde /$rRICHARD WILLIAMS --$tMontage in the Arts: A Reassessment /$rJENNIFER VALCKE --$tMeans and Metaphors of Change: Technology and the Danish Avant-Garde of the 1960's /$rTANIA ØRUM --$tLiterature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde /$rKLAUS BEEKMAN --$tList of Illustrations /$rDietrich Scheunemann --$tIndex /$rDietrich Scheunemann. 330 $aThis collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De Stijl , on verbal chemistry and dadaist poetry and on body art from futurism to surrealism. In addition, the collection wishes to open up the discussion of the avant-garde to a thorough investigation of neo-avant-garde activities in the 1950's and 1960's. For decades the appreciation of neo-avant-garde art and literature, film and architecture suffered from a general and all-inclusive rebuke. This volume is designed to contribute to a breakthrough towards a more competent and more precise investigation of this research field. Contributions include a discussion of Warhol?s multiples as well as Duchamp?s editioned ready-mades, forms of concrete and digital poetry as well as the architectural ?Non-Plan?. The main body of the volume is based on presentations and discussions of a three-day research seminar held at the University of Edinburgh in September 2002. The research group formed around the Avant-Garde Project at Edinburgh will continue with its efforts to elaborate a new theory of the avant-garde in the coming years. 410 0$aAvant garde critical studies ;$v17. 606 $aAvant-garde (Aesthetics) 606 $aArts, Modern$y20th century 606 $aArts, Modern$y21st century 615 0$aAvant-garde (Aesthetics) 615 0$aArts, Modern 615 0$aArts, Modern 676 $a111.85 686 $a20.30$2bcl 701 $aScheunemann$b Dietrich$01490159 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777646303321 996 $aAvant-garde$93830749 997 $aUNINA