LEADER 01922nam 2200589Ia 450 001 9910777597003321 005 20230617042431.0 010 $a0-7914-8771-7 010 $a1-4175-3599-7 035 $a(CKB)1000000000447619 035 $a(OCoLC)61367768 035 $a(CaPaEBR)ebrary10587284 035 $a(SSID)ssj0000173620 035 $a(PQKBManifestationID)11176933 035 $a(PQKBTitleCode)TC0000173620 035 $a(PQKBWorkID)10164885 035 $a(PQKB)11650573 035 $a(MiAaPQ)EBC3408085 035 $a(OCoLC)56406332 035 $a(MdBmJHUP)muse5937 035 $a(Au-PeEL)EBL3408085 035 $a(CaPaEBR)ebr10587284 035 $a(EXLCZ)991000000000447619 100 $a20020529d2003 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHow the world became a stage$b[electronic resource] $epresence, theatricality, and the question of modernity /$fWilliam Egginton 210 $aAlbany, NY $cState University of New York Press$dc2003 215 $a1 online resource (217 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7914-5545-9 320 $aIncludes bibliographical references and index. 606 $aTheater$zEurope$xHistory$y16th century 606 $aTheater$zEurope$xHistory$y17th century 606 $aTheater and society$zEurope$xHistory$y16th century 606 $aTheater and society$zEurope$xHistory$y17th century 615 0$aTheater$xHistory 615 0$aTheater$xHistory 615 0$aTheater and society$xHistory 615 0$aTheater and society$xHistory 676 $a792/.094/09031 700 $aEgginton$b William$f1969-$0695833 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777597003321 996 $aHow the world became a stage$93725103 997 $aUNINA